Marie Antoinette — Complete eBook

Jeanne-Louise-Henriette Campan
This eBook from the Gutenberg Project consists of approximately 574 pages of information about Marie Antoinette — Complete.

Marie Antoinette — Complete eBook

Jeanne-Louise-Henriette Campan
This eBook from the Gutenberg Project consists of approximately 574 pages of information about Marie Antoinette — Complete.

Another woman, named Cahouette de Millers, whose husband held an office in the Treasury, being very irregular in conduct, and of a scheming turn of mind, had a mania for appearing in the eyes of her friends at Paris as a person in favour at Court, to which she was not entitled by either birth or office.  During the latter years of the life of Louis xv. she had made many dupes, and picked up considerable sums by passing herself off as the King’s mistress.  The fear of irritating Madame du Barry was, according to her, the only thing which prevented her enjoying that title openly.  She came regularly to Versailles, kept herself concealed in a furnished lodging, and her dupes imagined she was secretly summoned to Court.

This woman formed the scheme of getting admission, if possible, to the presence of the Queen, or at least causing it to be believed that she had done so.  She adopted as her lover Gabriel de Saint Charles, intendant of her Majesty’s finances,—­an office, the privileges of which were confined to the right of entering the Queen’s apartment on Sunday.  Madame de Villers came every Saturday to Versailles with M. de Saint Charles, and lodged in his apartment.  M. Campan was there several times.  She painted tolerably well, and she requested him to do her the favour to present to the Queen a portrait of her Majesty which she had just copied.  M. Campan knew the woman’s character, and refused her.  A few days after, he saw on her Majesty’s couch the portrait which he had declined to present to her; the Queen thought it badly painted, and gave orders that it should be carried back to the Princesse de Lamballe, who had sent it to her.  The ill success of the portrait did not deter the manoeuvrer from following up her designs; she easily procured through M. de Saint Charles patents and orders signed by the Queen; she then set about imitating her writing, and composed a great number of notes and letters, as if written by her Majesty, in the tenderest and most familiar style.  For many months she showed them as great secrets to several of her particular friends.  Afterwards, she made the Queen appear to write to her, to procure various fancy articles.  Under the pretext of wishing to execute her Majesty’s commissions accurately, she gave these letters to the tradesmen to read, and succeeded in having it said, in many houses, that the Queen had a particular regard for her.  She then enlarged her scheme, and represented the Queen as desiring to borrow 200,000 francs which she had need of, but which she did not wish to ask of the King from his private funds.  This letter, being shown to M. Beranger, ‘fermier general’ of the finances, took effect; he thought himself fortunate in being able to render this assistance to his sovereign, and lost no time in sending the 200,000 francs to Madame de Villers.  This first step was followed by some doubts, which he communicated to people better informed than himself of what was passing at Court;

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Marie Antoinette — Complete from Project Gutenberg. Public domain.