The Witch of Prague eBook

This eBook from the Gutenberg Project consists of approximately 497 pages of information about The Witch of Prague.

The Witch of Prague eBook

This eBook from the Gutenberg Project consists of approximately 497 pages of information about The Witch of Prague.
base set on broad rollers, so that the board could be run across a bed or a lounge with the greatest ease.  There was but one chair made like ordinary chairs; the rest were so constructed that the least motion of the occupant must be accompanied by a corresponding change of position of the back and arms, and some of them bore a curious resemblance to a surgeon’s operating table, having attachments of silver-plated metal at many points, of which the object was not immediately evident.  Before a closed door a sort of wheeled conveyance, partaking of the nature of a chair and of a perambulator, stood upon polished rails, which disappeared under the door itself, showing that the thing was intended to be moved from one room to another in a certain way and in a fixed line.  The rails, had the door been opened, would have been seen to descend upon the other side by a gentle inclined plane into the centre of a huge marble basin, and the contrivance thus made it possible to wheel a person into a bath and out again without necessitating the slightest effort or change of position in the body.  In the bedroom the windows were arranged so that the light and air could be regulated to a nicety.  The walls were covered with fine basket work, apparently adapted in panels; but these panels were in reality movable trays, as it were, forming shallow boxes fitted with closely-woven wicker covers, and filled with charcoal and other porous substances intended to absorb the impurities of the air, and thus easily changed and renewed from time to time.  Immediately beneath the ceiling were placed delicate glass globes of various soft colours, with silken shades, movable from below by means of brass rods and handles.  In the ceiling itself there were large ventilators, easily regulated as might be required, and there was a curious arrangement of rails and wheels from which depended a sort of swing, apparently adapted for moving a person or a weight to different parts of the room without touching the floor.  In one of the lounges, not far from the window, lay a colossal old man, wrapped in a loose robe of warm white stuff, and fast asleep.

He was a very old man, so old, indeed, as to make it hard to guess his age from his face and his hands, the only parts visible as he lay at rest, the vast body and limbs lying motionless under his garment, as beneath a heavy white pall.  He could not be less than a hundred years old, but how much older than that he might really be, it was impossible to say.  What might be called the waxen period had set in, and the high colourless features seemed to be modelled in that soft, semi-transparent material.  The time had come when the stern furrows of age had broken up into countless minutely-traced lines, so close and fine as to seem a part of the texture of the skin, mere shadings, evenly distributed throughout, and no longer affecting the expression of the face as the deep wrinkles had done in former days; at threescore and ten, at fourscore, and even at ninety years. 

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The Witch of Prague from Project Gutenberg. Public domain.