In the Days of the Comet eBook

This eBook from the Gutenberg Project consists of approximately 297 pages of information about In the Days of the Comet.

In the Days of the Comet eBook

This eBook from the Gutenberg Project consists of approximately 297 pages of information about In the Days of the Comet.

“But why should anything be left of life?” said I. . . .

That was our style, you know, and meanwhile we walked together up the narrow street outside his lodging, up the stepway and the lanes toward Clayton Crest and the high road.

But my memories carry me back so effectually to those days before the Change that I forget that now all these places have been altered beyond recognition, that the narrow street and the stepway and the view from Clayton Crest, and indeed all the world in which I was born and bred and made, has vanished clean away, out of space and out of time, and wellnigh out of the imagination of all those who are younger by a generation than I. You cannot see, as I can see, the dark empty way between the mean houses, the dark empty way lit by a bleary gas-lamp at the corner, you cannot feel the hard checkered pavement under your boots, you cannot mark the dimly lit windows here and there, and the shadows upon the ugly and often patched and crooked blinds of the people cooped within.  Nor can you presently pass the beerhouse with its brighter gas and its queer, screening windows, nor get a whiff of foul air and foul language from its door, nor see the crumpled furtive figure—­some rascal child—­that slinks past us down the steps.

We crossed the longer street, up which a clumsy steam tram, vomiting smoke and sparks, made its clangorous way, and adown which one saw the greasy brilliance of shop fronts and the naphtha flares of hawkers’ barrows dripping fire into the night.  A hazy movement of people swayed along that road, and we heard the voice of an itinerant preacher from a waste place between the houses.  You cannot see these things as I can see them, nor can you figure—­unless you know the pictures that great artist Hyde has left the world—­the effect of the great hoarding by which we passed, lit below by a gas-lamp and towering up to a sudden sharp black edge against the pallid sky.

Those hoardings!  They were the brightest colored things in all that vanished world.  Upon them, in successive layers of paste and paper, all the rough enterprises of that time joined in chromatic discord; pill vendors and preachers, theaters and charities, marvelous soaps and astonishing pickles, typewriting machines and sewing machines, mingled in a sort of visualized clamor.  And passing that there was a muddy lane of cinders, a lane without a light, that used its many puddles to borrow a star or so from the sky.  We splashed along unheeding as we talked.

Then across the allotments, a wilderness of cabbages and evil-looking sheds, past a gaunt abandoned factory, and so to the high road.  The high road ascended in a curve past a few houses and a beerhouse or so, and round until all the valley in which four industrial towns lay crowded and confluent was overlooked.

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In the Days of the Comet from Project Gutenberg. Public domain.