Hopes and Fears for Art eBook

This eBook from the Gutenberg Project consists of approximately 200 pages of information about Hopes and Fears for Art.
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Hopes and Fears for Art eBook

This eBook from the Gutenberg Project consists of approximately 200 pages of information about Hopes and Fears for Art.
does not bear some token of their grief, and joy, and hope.  From Ispahan to Northumberland, there is no building built between the seventh and seventeenth centuries that does not show the influence of the labour of that oppressed and neglected herd of men.  No one of them, indeed, rose high above his fellows.  There was no Plato, or Shakespeare, or Michael Angelo amongst them.  Yet scattered as it was among many men, how strong their thought was, how long it abided, how far it travelled!

And so it was ever through all those days when Art was so vigorous and progressive.  Who can say how little we should know of many periods, but for their art?  History (so called) has remembered the kings and warriors, because they destroyed; Art has remembered the people, because they created.

I think, then, that this knowledge we have of the life of past times gives us some token of the way we should take in meeting those honest and single-hearted men who above all things desire the world’s progress, but whose minds are, as it were, sick on this point of the arts.  Surely you may say to them:  When all is gained that you (and we) so long for, what shall we do then?  That great change which we are working for, each in his own way, will come like other changes, as a thief in the night, and will be with us before we know it; but let us imagine that its consummation has come suddenly and dramatically, acknowledged and hailed by all right-minded people; and what shall we do then, lest we begin once more to heap up fresh corruption for the woeful labour of ages once again?  I say, as we turn away from the flagstaff where the new banner has been just run up; as we depart, our ears yet ringing with the blare of the heralds’ trumpets that have proclaimed the new order of things, what shall we turn to then, what must we turn to then?

To what else, save to our work, our daily labour?

With what, then, shall we adorn it when we have become wholly free and reasonable?  It is necessary toil, but shall it be toil only?  Shall all we can do with it be to shorten the hours of that toil to the utmost, that the hours of leisure may be long beyond what men used to hope for? and what then shall we do with the leisure, if we say that all toil is irksome?  Shall we sleep it all away?—­Yes, and never wake up again, I should hope, in that case.

What shall we do then? what shall our necessary hours of labour bring forth?

That will be a question for all men in that day when many wrongs are righted, and when there will be no classes of degradation on whom the dirty work of the world can be shovelled; and if men’s minds are still sick and loathe the arts, they will not be able to answer that question.

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Hopes and Fears for Art from Project Gutenberg. Public domain.