Secondly, because as to what concerns myself, I fear to lose by change: my understanding does not always go forward, it goes backward too. I do not much less suspect my fancies for being the second or the third, than for being the first, or present, or past; we often correct ourselves as foolishly as we do others. I am grown older by a great many years since my first publications, which were in the year 1580; but I very much doubt whether I am grown an inch the wiser. I now, and I anon, are two several persons; but whether better, I cannot determine. It were a fine thing to be old, if we only travelled towards improvement; but ’tis a drunken, stumbling, reeling, infirm motion: like that of reeds, which the air casually waves to and fro at pleasure. Antiochus had in his youth strongly written in favour of the Academy; in his old age he wrote as much against it; would not, which of these two soever I should follow, be still Antiochus? After having established the uncertainty, to go about to establish the certainty of human opinions, was it not to establish doubt, and not certainty, and to promise, that had he had yet another age to live, he would be always upon terms of altering his judgment, not so much for the better, as for something else?
The public favour has given me a little more confidence than I expected; but what I ’most fear is, lest I should glut the world with my writings; I had rather, of the two, pique my reader than tire him, as a learned man of my time has done. Praise is always pleasing, let it come from whom, or upon what account it will; yet ought a man to understand why he is commended, that he may know how to keep up the same reputation still: imperfections themselves may get commendation. The vulgar and common estimation is seldom happy in hitting; and I am much mistaken if, amongst the writings of my time, the worst are not those which have most gained the popular applause. For my part, I return my thanks to those good-natured men who are pleased to take my weak endeavours in good part; the faults of the workmanship are nowhere so apparent as in a matter which of itself has no recommendation. Blame not me, reader, for those that slip in here by the fancy or inadvertency of others; every hand, every artisan, contribute their own materials; I neither concern myself with orthography (and only care to have it after the old way) nor pointing, being very inexpert both in the one and the other. Where they wholly break the sense, I am very little concerned, for they at least discharge me; but where they substitute a false one, as they so often do, and wrest me to their conception, they ruin me. When the sentence, nevertheless, is not strong enough for my proportion, a civil person ought to reject it as spurious, and none of mine. Whoever shall know how lazy I am, and how indulgent to my own humour, will easily believe that I had rather write as many more essays, than be tied to revise these over again for so childish a correction.


