‘I presume you mean to write more poems?’
’I cannot—that is, I can write no more that satisfy me. To blossom into rhyme on the sparkling pleasures of life, you must be under the influence of those pleasures, and I am at present quite removed from them—surrounded by gaunt realities of a very different description.’
’Then try the mournful. Trade upon your sufferings: many do, and thrive.’
’It is no use to say that—no use at all. I cannot write a line of verse. And yet the others flowed from my heart like a stream. But nothing is so easy as to seem clever when you have money.’
‘Except to seem stupid when you have none,’ said Christopher, looking at the dead leaves.
Ethelberta allowed herself to linger on that thought for a few seconds; and continued, ’Then the question arose, what was I to do? I felt that to write prose would be an uncongenial occupation, and altogether a poor prospect for a woman like me. Finally I have decided to appear in public.’
‘Not on the stage?’
’Certainly not on the stage. There is no novelty in a poor lady turning actress, and novelty is what I want. Ordinary powers exhibited in a new way effect as much as extraordinary powers exhibited in an old way.’
’Yes—so they do. And extraordinary powers, and a new way too, would be irresistible.’
’I don’t calculate upon both. I had written a prose story by request, when it was found that I had grown utterly inane over verse. It was written in the first person, and the style was modelled after De Foe’s. The night before sending it off, when I had already packed it up, I was reading about the professional story-tellers of Eastern countries, who devoted their lives to the telling of tales. I unfastened the manuscript and retained it, convinced that I should do better by telling the story.’
‘Well thought of!’ exclaimed Christopher, looking into her face. ’There is a way for everybody to live, if they can only find it out.’


