My Literary Passions eBook

This eBook from the Gutenberg Project consists of approximately 203 pages of information about My Literary Passions.

My Literary Passions eBook

This eBook from the Gutenberg Project consists of approximately 203 pages of information about My Literary Passions.
me to read it all myself.  For the matter of that he wanted me to read Cowper, from whom no one could get anything but good, and he wanted me to read Byron, from whom I could then have got no harm; we get harm from the evil we understand.  He loved Burns, too, and he used to read aloud from him, I must own, to my inexpressible weariness.  I could not away with that dialect, and I could not then feel the charm of the poet’s wit, nor the tender beauty of his pathos.  Moore, I could manage better; and when my father read “Lalla Rookh” to my mother I sat up to listen, and entered into all the woes of Iran in the story of the “Fire Worshippers.”  I drew the line at the “Veiled Prophet of Khorassan,” though I had some sense of the humor of the poet’s conception of the critic in “Fadladeen.”  But I liked Scott’s poems far better, and got from Ispahan to Edinburgh with a glad alacrity of fancy.  I followed the “Lady of the Lake” throughout, and when I first began to contrive verses of my own I found that poem a fit model in mood and metre.

Among other volumes of verse on the top shelf of the bookcase, of which I used to look at the outside without penetrating deeply within, were Pope’s translation of the Iliad and the Odyssey, and Dryden’s Virgil, pretty little tomes in tree-calf, published by James Crissy in Philadelphia, and illustrated with small copper-plates, which somehow seemed to put the matter hopelessly beyond me.  It was as if they said to me in so many words that literature which furnished the subjects of such pictures I could not hope to understand, and need not try.  At any rate, I let them alone for the time, and I did not meddle with a volume of Shakespeare, in green cloth and cruelly fine print, which overawed me in like manner with its wood-cuts.  I cannot say just why I conceived that there was something unhallowed in the matter of the book; perhaps this was a tint from the reputation of the rather profligate young man from whom my father had it.  If he were not profligate I ask his pardon.  I have not the least notion who he was, but that was the notion I had of him, whoever he was, or wherever he now is.  There may never have been such a young man at all; the impression I had may have been pure invention of my own, like many things with children, who do not very distinctly know their dreams from their experiences, and live in the world where both project the same quality of shadow.

There were, of course, other books in the bookcase, which my consciousness made no account of, and I speak only of those I remember.  Fiction there was none at all that I can recall, except Poe’s ’Tales of the Grotesque and the Arabesque’ (I long afflicted myself as to what those words meant, when I might easily have asked and found out) and Bulwer’s Last Days of Pompeii, all in the same kind of binding.  History is known, to my young remembrance of that library, by a History of the United States, whose dust and ashes I hardly made my way through; and by a ‘Chronicle of the Conquest of Granada’, by the ever dear and precious Fray Antonio Agapida, whom I was long in making out to be one and the same as Washington Irving.

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My Literary Passions from Project Gutenberg. Public domain.