Sketches New and Old eBook

This eBook from the Gutenberg Project consists of approximately 366 pages of information about Sketches New and Old.

Sketches New and Old eBook

This eBook from the Gutenberg Project consists of approximately 366 pages of information about Sketches New and Old.

I am proud, indeed, of the distinction of being chosen to respond to this especial toast, to ‘The Ladies,’ or to women if you please, for that is the preferable term, perhaps; it is certainly the older, and therefore the more entitled to reverence [Laughter.] I have noticed that the Bible, with that plain, blunt honesty which is such a conspicuous characteristic of the Scriptures, is always particular to never refer to even the illustrious mother of all mankind herself as a ‘lady,’ but speaks of her as a woman, [Laughter.] It is odd, but you will find it is so.  I am peculiarly proud of this honor, because I think that the toast to women is one which, by right and by every rule of gallantry, should take precedence of all others—­of the army, of the navy, of even royalty itself perhaps, though the latter is not necessary in this day and in this land, for the reason that, tacitly, you do drink a broad general health to all good women when you drink the health of the Queen of England and the Princess of Wales. [Loud cheers.] I have in mind a poem just now which is familiar to you all, familiar to everybody.  And what an inspiration that was (and how instantly the present toast recalls the verses to all our minds) when the most noble, the most gracious, the purest, and sweetest of all poets says: 

                         “Woman!  O woman!—­er—­
                         Wom—­”

[Laughter.] However, you remember the lines; and you remember how feelingly, how daintily, how almost imperceptibly the verses raise up before you, feature by feature, the ideal of a true and perfect woman; and how, as you contemplate the finished marvel, your homage grows into worship of the intellect that could create so fair a thing out of mere breath, mere words.  And you call to mind now, as I speak, how the poet, with stern fidelity to the history of all humanity, delivers this beautiful child of his heart and his brain over to the trials and sorrows that must come to all, sooner or later, that abide in the earth, and how the pathetic story culminates in that apostrophe—­so wild, so regretful, so full of mournful retrospection.  The lines run thus: 

“Alas!—­alas!—­a—­alas!
----Alas!--------alas!”

—­and so on. [Laughter.] I do not remember the rest; but, taken together, it seems to me that poem is the noblest tribute to woman that human genius has ever brought forth—­[laughter]—­and I feel that if I were to talk hours I could not do my great theme completer or more graceful justice than I have now done in simply quoting that poet’s matchless words. [Renewed laughter.] The phases of the womanly nature are infinite in their variety.  Take any type of woman, and you shall find in it something to respect, something to admire, something to love.  And you shall find the whole joining you heart and hand.  Who was more patriotic than Joan of Arc?  Who was braver?  Who has given us a grander instance of self-sacrificing devotion? 

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Sketches New and Old from Project Gutenberg. Public domain.