The Complete Project Gutenberg Writings of Charles Dudley Warner eBook

This eBook from the Gutenberg Project consists of approximately 3,672 pages of information about The Complete Project Gutenberg Writings of Charles Dudley Warner.

The Complete Project Gutenberg Writings of Charles Dudley Warner eBook

This eBook from the Gutenberg Project consists of approximately 3,672 pages of information about The Complete Project Gutenberg Writings of Charles Dudley Warner.
spiritual operations, I was tolerably familiar.  All the literature of the supernatural was as real to me as the laboratory of the chemist, where I saw the continual struggle of material substances to evolve themselves into more volatile, less palpable and coarse forms.  My imagination, naturally vivid, stimulated by such repasts, nearly mastered me.  At times I could scarcely tell where the material ceased and the immaterial began (if I may so express it); so that once and again I walked, as it seemed, from the solid earth onward upon an impalpable plain, where I heard the same voices, I think, that Joan of Arc heard call to her in the garden at Domremy.  She was inspired, however, while I only lacked exercise.  I do not mean this in any literal sense; I only describe a state of mind.  I was at this time of spare habit, and nervous, excitable temperament.  I was ambitious, proud, and extremely sensitive.  I cannot deny that I had seen something of the world, and had contracted about the average bad habits of young men who have the sole care of themselves, and rather bungle the matter.  It is necessary to this relation to admit that I had seen a trifle more of what is called life than a young man ought to see, but at this period I was not only sick of my experience, but my habits were as correct as those of any Pharisee in our college, and we had some very favorable specimens of that ancient sect.

Nor can I deny that at this period of my life I was in a peculiar mental condition.  I well remember an illustration of it.  I sat writing late one night, copying a prize essay,—­a merely manual task, leaving my thoughts free.  It was in June, a sultry night, and about midnight a wind arose, pouring in through the open windows, full of mournful reminiscence, not of this, but of other summers,—­the same wind that De Quincey heard at noonday in midsummer blowing through the room where he stood, a mere boy, by the side of his dead sister, —­a wind centuries old.  As I wrote on mechanically, I became conscious of a presence in the room, though I did not lift my eyes from the paper on which I wrote.  Gradually I came to know that my grandmother—­dead so long ago that I laughed at the idea—­was in the room.  She stood beside her old-fashioned spinning-wheel, and quite near me.  She wore a plain muslin cap with a high puff in the crown, a short woolen gown, a white and blue checked apron, and shoes with heels.  She did not regard me, but stood facing the wheel, with the left hand near the spindle, holding lightly between the thumb and forefinger the white roll of wool which was being spun and twisted on it.  In her right hand she held a small stick.  I heard the sharp click of this against the spokes of the wheel, then the hum of the wheel, the buzz of the spindles as the twisting yarn was teased by the whirl of its point, then a step backwards, a pause, a step forward and the running of the yarn upon the spindle, and again a backward step, the drawing out of the roll and the droning and

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