The Abbe Winckelmann went out with my brother and myself, and as he came with me to my hotel he did me the honour of staying to supper.  Winckelmann was the second volume of the celebrated Abbe de Voisenon.  He called for me next day, and we went to Villa Albani to see the Chevalier Mengs, who was then living there and painting a ceiling.

My landlord Roland (who knew my brother) paid me a visit at supper.  Roland came from Avignon and was fond of good living.  I told him I was sorry to be leaving him to stay with my brother, because I had fallen in love with his daughter Therese, although I had only spoken to her for a few minutes, and had only seen her head.

“You saw her in bed, I will bet”

“Exactly, and I should very much like to see the rest of her.  Would you be so kind as to ask her to step up for a few minutes?”

“With all my heart.”

She came upstairs, seeming only too glad to obey her father’s summons.  She had a lithe, graceful figure, her eyes were of surpassing brilliancy, her features exquisite, her mouth charming; but taken altogether I did not like her so well as before.  In return, my poor brother became enamoured of her to such an extent that he ended by becoming her slave.  He married her next year, and two years afterwards he took her to Dresden.  I saw her five years later with a pretty baby; but after ten years of married life she died of consumption.

I found Mengs at the Villa Albani; he was an indefatigable worker, and extremely original in his conceptions.  He welcomed me, and said he was glad to be able to lodge me at his house in Rome, and that he hoped to return home himself in a few days, with his whole family.

I was astonished with the Villa Albani.  It had been built by Cardinal Alexander, and had been wholly constructed from antique materials to satisfy the cardinal’s love for classic art; not only the statues and the vases, but the columns, the pedestals—­in fact, everything was Greek.  He was a Greek himself, and had a perfect knowledge of antique work, and had contrived to spend comparatively little money compared with the masterpiece he had produced.  If a sovereign monarch had had a villa like the cardinal’s built, it would have cost him fifty million francs, but the cardinal made a much cheaper bargain.

As he could not get any ancient ceilings, he was obliged to have them painted, and Mengs was undoubtedly the greatest and the most laborious painter of his age.  It is a great pity that death carried him off in the midst of his career, as otherwise he would have enriched the stores of art with numerous masterpieces.  My brother never did anything to justify his title of pupil of this great artist.  When I come to my visit to Spain in 1767, I shall have some more to say about Mengs.

As soon as I was settled with my brother I hired a carriage, a coachman, and a footman, whom I put into fancy livery, and I called on Monsignor Cornaro, auditor of the ‘rota’, with the intention of making my way into good society, but fearing lest he as a Venetian might get compromised, he introduced me to Cardinal Passionei, who spoke of me to the sovereign pontiff.