The contrast between the earlier, middle, and later Suras is very striking and interesting, and will be at once apparent from the arrangement here adopted.  In the Suras as far as the 54th, p. 76, we cannot but notice the entire predominance of the poetical element, a deep appreciation (as in Sura xci. p. 38) of the beauty of natural objects, brief fragmentary and impassioned utterances, denunciations of woe and punishment, expressed for the most part in lines of extreme brevity.  With a change, however, in the position of Muhammad when he openly assumes the office of “public warner,” the Suras begin to assume a more prosaic and didactic tone, though the poetical ornament of rhyme is preserved throughout.  We gradually lose the Poet in the missionary aiming to convert, the warm asserter of dogmatic truths; the descriptions of natural objects, of the judgment, of Heaven and Hell, make way for gradually increasing historical statements, first from Jewish, and subsequently from Christian histories; while, in the 29 Suras revealed at Medina, we no longer listen to vague words, often as it would seem without positive aim, but to the earnest disputant with the enemies of his faith, the Apostle pleading the cause of what he believes to be the Truth of God.  He who at Mecca is the admonisher and persuader, at Medina is the legislator and the warrior, who dictates obedience, and uses other weapons than the pen of the Poet and the Scribe.  When business pressed, as at Medina, Poetry makes way for Prose, and although touches of the Poetical element occasionally break forth, and he has to defend himself up to a very late period against the charge of being merely a Poet, yet this is rarely the case in the Medina Suras; and we are startled by finding obedience to God and the Apostle, God’s gifts and the Apostle’s, God’s pleasure and the Apostle’s, spoken of in the same breath, and epithets and attributes elsewhere applied to Allah openly applied to himself as in Sura ix., 118, 129.

The Suras, viewed as a whole, strike me as being the work of one who began his career as a thoughtful enquirer after truth, and an earnest asserter of it in such rhetorical and poetical forms as he deemed most likely to win and attract his countrymen, and who gradually proceeded from the dogmatic teacher to the politic founder of a system for which laws and regulations had to be provided as occasions arose.  And of all the Suras it must be remarked that they were intended not for readers but for hearers-that they were all promulgated by public recital-and that much was left, as the imperfect sentences shew, to the manner and suggestive action of the reciter.  It would be impossible, and indeed it is unnecessary, to attempt a detailed life of Muhammad within the narrow limits of a Preface.  The main events thereof with which the Suras of the Koran stand in connection, are-The visions of Gabriel, seen, or said to have been seen, at the outset of his career in his 40th year, during