Elsie Venner eBook

This eBook from the Gutenberg Project consists of approximately 516 pages of information about Elsie Venner.

Elsie Venner eBook

This eBook from the Gutenberg Project consists of approximately 516 pages of information about Elsie Venner.

Long, long ago, in old Colonial times, the Honorable Thomas Dudley, Esquire, a man of note and name and great resources, allied by descent to the family of “Tom Dudley,” as the early Governor is sometimes irreverently called by our most venerable, but still youthful antiquary,—­and to the other public Dudleys, of course,—­of all of whom he made small account, as being himself an English gentleman, with little taste for the splendors of provincial office, early in the last century, Thomas Dudley had built this mansion.  For several generations it had been dwelt in by descendants of the same name, but soon after the Revolution it passed by marriage into the hands of the Venners, by whom it had ever since been held and tenanted.

As the doctor turned an angle in the road, all at once the stately old house rose before him.  It was a skilfully managed effect, as it well might be, for it was no vulgar English architect who had planned the mansion and arranged its position and approach.  The old house rose before the Doctor, crowning a terraced garden, flanked at the left by an avenue of tall elms.  The flower-beds were edged with box, which diffused around it that dreamy balsamic odor, full of ante-natal reminiscences of a lost Paradise, dimly fragrant as might be the bdellium of ancient Havilah, the land compassed by the river Pison that went out of Eden.  The garden was somewhat neglected, but not in disgrace,—­and in the time of tulips and hyacinths, of roses, of “snowballs,” of honeysuckles, of lilacs, of syringas, it was rich with blossoms.

From the front-windows of the mansion the eye reached a far blue mountain-summit,—­no rounded heap, such as often shuts in a village-landscape, but a sharp peak, clean-angled as Ascutney from the Dartmouth green.  A wide gap through miles of woods had opened this distant view, and showed more, perhaps, than all the labors of the architect and the landscape-gardener the large style of the early Dudleys.

The great stone-chimney of the mansion-house was the centre from which all the artificial features of the scene appeared to flow.  The roofs, the gables, the dormer-windows, the porches, the clustered offices in the rear, all seemed to crowd about the great chimney.  To this central pillar the paths all converged.  The single poplar behind the house,—­Nature is jealous of proud chimneys, and always loves to put a poplar near one, so that it may fling a leaf or two down its black throat every autumn,—­the one tall poplar behind the house seemed to nod and whisper to the grave square column, the elms to sway their branches towards it.  And when the blue smoke rose from its summit, it seemed to be wafted away to join the azure haze which hung around the peak in the far distance, so that both should bathe in a common atmosphere.

Behind the house were clumps of lilacs with a century’s growth upon them, and looking more like trees than like shrubs.  Shaded by a group of these was the ancient well, of huge circuit, and with a low arch opening out of its wall about ten feet below the surface,—­whether the door of a crypt for the concealment of treasure, or of a subterranean passage, or merely of a vault for keeping provisions cool in hot weather, opinions differed.

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Elsie Venner from Project Gutenberg. Public domain.