Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.

Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.

“So I am.”

“And the blue one only on Sunday?”

“And the blue one Sunday.”

“Well, dear, I sha’n’t be at Yalbury Sunday to see it.”

“No, but I shall walk to Longpuddle church in the afternoon with father, and such lots of people will be looking at me there, you know; and it did set so badly round the neck.”

“I never noticed it, and ’tis like nobody else would.”

“They might.”

“Then why not wear the gray one on Sunday as well?  ’Tis as pretty as the blue one.”

“I might make the gray one do, certainly.  But it isn’t so good; it didn’t cost half so much as this one, and besides, it would be the same I wore Saturday.”

“Then wear the striped one, dear.”

“I might.”

“Or the dark one.”

“Yes, I might; but I want to wear a fresh one they haven’t seen.”

“I see, I see,” said Dick, in a voice in which the tones of love were decidedly inconvenienced by a considerable emphasis, his thoughts meanwhile running as follows:  “I, the man she loves best in the world, as she says, am to understand that my poor half-holiday is to be lost, because she wants to wear on Sunday a gown there is not the slightest necessity for wearing, simply, in fact, to appear more striking than usual in the eyes of Longpuddle young men; and I not there, either.”

“Then there are three dresses good enough for my eyes, but neither is good enough for the youths of Longpuddle,” he said.

“No, not that exactly, Dick.  Still, you see, I do want—­to look pretty to them—­there, that’s honest!  But I sha’n’t be much longer.”

“How much?”

“A quarter of an hour.”

“Very well; I’ll come in in a quarter of an hour.”

“Why go away?”

“I mid as well.”

He went out, walked down the road, and sat upon a gate.  Here he meditated and meditated, and the more he meditated the more decidedly did he begin to fume, and the more positive was he that his time had been scandalously trifled with by Miss Fancy Day—­that, so far from being the simple girl who had never had a sweetheart before, as she had solemnly assured him time after time, she was, if not a flirt, a woman who had had no end of admirers; a girl most certainly too anxious about her frocks; a girl, whose feelings, though warm, were not deep; a girl who cared a great deal too much how she appeared in the eyes of other men.  “What she loves best in the world,” he thought, with an incipient spice of his father’s grimness, “is her hair and complexion.  What she loves next best, her gowns and hats; what she loves next best, myself, perhaps!”

Suffering great anguish at this disloyalty in himself and harshness to his darling, yet disposed to persevere in it, a horribly cruel thought crossed his mind.  He would not call for her, as he had promised, at the end of a quarter of an hour!  Yes, it would be a punishment she well deserved.  Although the best part of the afternoon had been wasted he would go nutting as he had intended, and go by himself.

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Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school from Project Gutenberg. Public domain.