Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.

Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.

“Yes; and ’tis trying to a female, especially if you’ve been a first wife, as she hev.”

“Very trying it must be.”

“Yes:  you see her first husband was a young man, who let her go too far; in fact, she used to kick up Bob’s-a-dying at the least thing in the world.  And when I’d married her and found it out, I thought, thinks I, ’’Tis too late now to begin to cure ‘e;’ and so I let her bide.  But she’s queer,—­very queer, at times!”

“I’m sorry to hear that.”

“Yes:  there; wives be such a provoking class o’ society, because though they be never right, they be never more than half wrong.”

Fancy seemed uneasy under the infliction of this household moralizing, which might tend to damage the airy-fairy nature that Dick, as maiden shrewdness told her, had accredited her with.  Her dead silence impressed Geoffrey with the notion that something in his words did not agree with her educated ideas, and he changed the conversation.

“Did Fred Shiner send the cask o’ drink, Fancy?”

“I think he did:  O yes, he did.”

“Nice solid feller, Fred Shiner!” said Geoffrey to Dick as he helped himself to gravy, bringing the spoon round to his plate by way of the potato-dish, to obviate a stain on the cloth in the event of a spill.

Now Geoffrey’s eyes had been fixed upon his plate for the previous four or five minutes, and in removing them he had only carried them to the spoon, which, from its fulness and the distance of its transit, necessitated a steady watching through the whole of the route.  Just as intently as the keeper’s eyes had been fixed on the spoon, Fancy’s had been fixed on her father’s, without premeditation or the slightest phase of furtiveness; but there they were fastened.  This was the reason why: 

Dick was sitting next to her on the right side, and on the side of the table opposite to her father.  Fancy had laid her right hand lightly down upon the table-cloth for an instant, and to her alarm Dick, after dropping his fork and brushing his forehead as a reason, flung down his own left hand, overlapping a third of Fancy’s with it, and keeping it there.  So the innocent Fancy, instead of pulling her hand from the trap, settled her eyes on her father’s, to guard against his discovery of this perilous game of Dick’s.  Dick finished his mouthful; Fancy finished her crumb, and nothing was done beyond watching Geoffrey’s eyes.  Then the hands slid apart; Fancy’s going over six inches of cloth, Dick’s over one.  Geoffrey’s eye had risen.

“I said Fred Shiner is a nice solid feller,” he repeated, more emphatically.

“He is; yes, he is,” stammered Dick; “but to me he is little more than a stranger.”

“O, sure.  Now I know en as well as any man can be known.  And you know en very well too, don’t ye, Fancy?”

Geoffrey put on a tone expressing that these words signified at present about one hundred times the amount of meaning they conveyed literally.

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Project Gutenberg
Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school from Project Gutenberg. Public domain.