Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.

Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.

It was a long low cottage with a hipped roof of thatch, having dormer windows breaking up into the eaves, a chimney standing in the middle of the ridge and another at each end.  The window-shutters were not yet closed, and the fire- and candle-light within radiated forth upon the thick bushes of box and laurestinus growing in clumps outside, and upon the bare boughs of several codlin-trees hanging about in various distorted shapes, the result of early training as espaliers combined with careless climbing into their boughs in later years.  The walls of the dwelling were for the most part covered with creepers, though these were rather beaten back from the doorway—­a feature which was worn and scratched by much passing in and out, giving it by day the appearance of an old keyhole.  Light streamed through the cracks and joints of outbuildings a little way from the cottage, a sight which nourished a fancy that the purpose of the erection must be rather to veil bright attractions than to shelter unsightly necessaries.  The noise of a beetle and wedges and the splintering of wood was periodically heard from this direction; and at some little distance further a steady regular munching and the occasional scurr of a rope betokened a stable, and horses feeding within it.

The choir stamped severally on the door-stone to shake from their boots any fragment of earth or leaf adhering thereto, then entered the house and looked around to survey the condition of things.  Through the open doorway of a small inner room on the right hand, of a character between pantry and cellar, was Dick Dewy’s father Reuben, by vocation a “tranter,” or irregular carrier.  He was a stout florid man about forty years of age, who surveyed people up and down when first making their acquaintance, and generally smiled at the horizon or other distant object during conversations with friends, walking about with a steady sway, and turning out his toes very considerably.  Being now occupied in bending over a hogshead, that stood in the pantry ready horsed for the process of broaching, he did not take the trouble to turn or raise his eyes at the entry of his visitors, well knowing by their footsteps that they were the expected old comrades.

The main room, on the left, was decked with bunches of holly and other evergreens, and from the middle of the beam bisecting the ceiling hung the mistletoe, of a size out of all proportion to the room, and extending so low that it became necessary for a full-grown person to walk round it in passing, or run the risk of entangling his hair.  This apartment contained Mrs. Dewy the tranter’s wife, and the four remaining children, Susan, Jim, Bessy, and Charley, graduating uniformly though at wide stages from the age of sixteen to that of four years—­the eldest of the series being separated from Dick the firstborn by a nearly equal interval.

Copyrights
Project Gutenberg
Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school from Project Gutenberg. Public domain.