Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.

Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.

“Well then, Mr. Mayble, since death’s to be, we’ll die like men any day you name (excusing my common way).”

Mr. Maybold bowed his head.

“All we thought was, that for us old ancient singers to be choked off quiet at no time in particular, as now, in the Sundays after Easter, would seem rather mean in the eyes of other parishes, sir.  But if we fell glorious with a bit of a flourish at Christmas, we should have a respectable end, and not dwindle away at some nameless paltry second-Sunday-after or Sunday-next-before something, that’s got no name of his own.”

“Yes, yes, that’s reasonable; I own it’s reasonable.”

“You see, Mr. Mayble, we’ve got—­do I keep you inconvenient long, sir?”

“No, no.”

“We’ve got our feelings—­father there especially.”

The tranter, in his earnestness, had advanced his person to within six inches of the vicar’s.

“Certainly, certainly!” said Mr. Maybold, retreating a little for convenience of seeing.  “You are all enthusiastic on the subject, and I am all the more gratified to find you so.  A Laodicean lukewarmness is worse than wrongheadedness itself.”

“Exactly, sir.  In fact now, Mr. Mayble,” Reuben continued, more impressively, and advancing a little closer still to the vicar, “father there is a perfect figure o’ wonder, in the way of being fond of music!”

The vicar drew back a little further, the tranter suddenly also standing back a foot or two, to throw open the view of his father, and pointing to him at the same time.

Old William moved uneasily in the large chair, and with a minute smile on the mere edge of his lips, for good-manners, said he was indeed very fond of tunes.

“Now, you see exactly how it is,” Reuben continued, appealing to Mr. Maybold’s sense of justice by looking sideways into his eyes.  The vicar seemed to see how it was so well that the gratified tranter walked up to him again with even vehement eagerness, so that his waistcoat-buttons almost rubbed against the vicar’s as he continued:  “As to father, if you or I, or any man or woman of the present generation, at the time music is a-playing, was to shake your fist in father’s face, as may be this way, and say, ‘Don’t you be delighted with that music!’”—­the tranter went back to where Leaf was sitting, and held his fist so close to Leaf’s face that the latter pressed his head back against the wall:  “All right, Leaf, my sonny, I won’t hurt you; ’tis just to show my meaning to Mr. Mayble.—­As I was saying, if you or I, or any man, was to shake your fist in father’s face this way, and say, ‘William, your life or your music!’ he’d say, ‘My life!’ Now that’s father’s nature all over; and you see, sir, it must hurt the feelings of a man of that kind for him and his bass-viol to be done away wi’ neck and crop.”

The tranter went back to the vicar’s front and again looked earnestly at his face.

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Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school from Project Gutenberg. Public domain.