Madame Blumenthal had proved to be an extraordinarily interesting woman.  He seemed to have quite forgotten our long talk in the Hartwaldt, and betrayed no sense of this being a confession that he had taken his plunge and was floating with the current.  He only remembered that I had spoken slightingly of the lady, and he now hinted that it behoved me to amend my opinion.  I had received the day before so strong an impression of a sort of spiritual fastidiousness in my friend’s nature, that on hearing now the striking of a new hour, as it were, in his consciousness, and observing how the echoes of the past were immediately quenched in its music, I said to myself that it had certainly taken a delicate hand to wind up that fine machine.  No doubt Madame Blumenthal was a clever woman.  It is a good German custom at Homburg to spend the hour preceding dinner in listening to the orchestra in the Kurgarten; Mozart and Beethoven, for organisms in which the interfusion of soul and sense is peculiarly mysterious, are a vigorous stimulus to the appetite.  Pickering and I conformed, as we had done the day before, to the fashion, and when we were seated under the trees, he began to expatiate on his friend’s merits.

“I don’t know whether she is eccentric or not,” he said; “to me every one seems eccentric, and it’s not for me, yet a while, to measure people by my narrow precedents.  I never saw a gaming table in my life before, and supposed that a gambler was of necessity some dusky villain with an evil eye.  In Germany, says Madame Blumenthal, people play at roulette as they play at billiards, and her own venerable mother originally taught her the rules of the game.  It is a recognised source of subsistence for decent people with small means.  But I confess Madame Blumenthal might do worse things than play at roulette, and yet make them harmonious and beautiful.  I have never been in the habit of thinking positive beauty the most excellent thing in a woman.  I have always said to myself that if my heart were ever to be captured it would be by a sort of general grace—­a sweetness of motion and tone—­on which one could count for soothing impressions, as one counts on a musical instrument that is perfectly in tune.  Madame Blumenthal has it—­this grace that soothes and satisfies; and it seems the more perfect that it keeps order and harmony in a character really passionately ardent and active.  With her eager nature and her innumerable accomplishments nothing would be easier than that she should seem restless and aggressive.  You will know her, and I leave you to judge whether she does seem so!  She has every gift, and culture has done everything for each.  What goes on in her mind I of course can’t say; what reaches the observer—­the admirer—­is simply a sort of fragrant emanation of intelligence and sympathy.”

“Madame Blumenthal,” I said, smiling, “might be the loveliest woman in the world, and you the object of her choicest favours, and yet what I should most envy you would be, not your peerless friend, but your beautiful imagination.”