The Marble Faun - Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 226 pages of information about The Marble Faun.

The Marble Faun - Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 226 pages of information about The Marble Faun.

In all the above cases, the fable seemed to be instigated by the large and bounteous impression which Miriam invariably made, as if necessity and she could have nothing to do with one another.  Whatever deprivations she underwent must needs be voluntary.  But there were other surmises, taking such a commonplace view as that Miriam was the daughter of a merchant or financier, who had been ruined in a great commercial crisis; and, possessing a taste for art, she had attempted to support herself by the pencil, in preference to the alternative of going out as governess.

Be these things how they might, Miriam, fair as she looked, was plucked up out of a mystery, and had its roots still clinging to her.  She was a beautiful and attractive woman, but based, as it were, upon a cloud, and all surrounded with misty substance; so that the result was to render her sprite-like in her most ordinary manifestations.  This was the case even in respect to Kenyon and Hilda, her especial friends.  But such was the effect of Miriam’s natural language, her generosity, kindliness, and native truth of character, that these two received her as a dear friend into their hearts, taking her good qualities as evident and genuine, and never imagining that what was hidden must be therefore evil.

We now proceed with our narrative.

The same party of friends, whom we have seen at the sculpture-gallery of the Capitol, chanced to have gone together, some months before, to the catacomb of St. Calixtus.  They went joyously down into that vast tomb, and wandered by torchlight through a sort of dream, in which reminiscences of church aisles and grimy cellars—­and chiefly the latter—­seemed to be broken into fragments, and hopelessly intermingled.  The intricate passages along which they followed their guide had been hewn, in some forgotten age, out of a dark-red, crumbly stone.  On either side were horizontal niches, where, if they held their torches closely, the shape of a human body was discernible in white ashes, into which the entire mortality of a man or woman had resolved itself.  Among all this extinct dust, there might perchance be a thigh-bone, which crumbled at a touch; or possibly a skull, grinning at its own wretched plight, as is the ugly and empty habit of the thing.

Sometimes their gloomy pathway tended upward, so that, through a crevice, a little daylight glimmered down upon them, or even a streak of sunshine peeped into a burial niche; then again, they went downward by gradual descent, or by abrupt, rudely hewn steps, into deeper and deeper recesses of the earth.  Here and there the narrow and tortuous passages widened somewhat, developing themselves into small chapels;—­which once, no doubt, had been adorned with marble-work and lighted with ever-burning lamps and tapers.  All such illumination and ornament, however, had long since been extinguished and stript away; except, indeed, that the low roofs of a few of these ancient sites of worship were covered with dingy stucco, and frescoed with scriptural scenes and subjects, in the dreariest stage of ruin.

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The Marble Faun - Volume 1 from Project Gutenberg. Public domain.