The Nabob eBook

This eBook from the Gutenberg Project consists of approximately 527 pages of information about The Nabob.

The Nabob eBook

This eBook from the Gutenberg Project consists of approximately 527 pages of information about The Nabob.

Above, in the reception rooms, was another strange and resplendent crowd.  In the first two rooms there was a going and coming, a continual passage of rustling silks up to the boudoir where the baroness sat, sharing her attentions and cajoleries between two very distinct camps.  On one side were dark toilettes, modest in appearance, whose refinement was appreciable only to observant eyes; on the other, a wild burst of vivid colour, opulent figures, rich diamonds, floating scarfs, exotic fashions, in which one felt a regret for a warmer climate, and more luxurious life.  Here were sharp taps with the fan, discreet whispers from the few men present, some of the bien pensant youth, silent, immovable, sucking the handles of their canes, two or three figures, upright behind the broad backs of their wives, speaking with their heads bent forward, as if they were offering contraband goods for sale; and in a corner the fine patriarchal beard and violet cassock of an orthodox Armenian bishop.

The baroness, in attempting to harmonize these fashionable diversities, to keep her rooms full until the famous interview, moved about continually, took part in ten different conversations, raising her harmonious and velvety voice to the twittering diapason which distinguishes Oriental women, caressing and coaxing, the mind supple as the body, touching on all subjects, and mixing in the requisite proportions fashion and charity sermons, theatres and bazaars, the dressmaker and the confessor.  The mistress of the house united a great personal charm with this acquired science—­a science visible even in her black and very simple dress, which brought out her nun-like pallor, her houri-like eyes, her shining and plaited hair drawn back from a narrow, child-like forehead, a forehead of which the small mouth accentuated the mystery, hiding from the inquisitive the former favourite’s whole varied past, she who had no age, who knew not herself the date of her birth, and never remembered to have been a child.

Evidently if the absolute power of evil—­rare indeed among women, influenced as they are by their impressionable physical nature by so many different currents—­could take possession of a soul, it would be in that of this slave, moulded by basenesses, revolted but patient, and complete mistress of herself, like all those whom the habit of veiling the eyes has accustomed to lie safely and unscrupulously.

At this moment no one could have suspected the anguish she suffered; to see her kneeling before the princess, an old, good, straightforward soul, of whom the Fuernberg was always saying, “Call that a princess—­that!”

“I beg of you, godmamma, don’t go away yet.”

She surrounded her with all sorts of cajoleries, of graces, of little airs, without telling her, to be sure, that she wanted to keep her till the arrival of the Jansoulets, to add to her triumph.

“But,” said the princess, pointing out to her the majestic Armenian, silent and grave, his tasselled hat on his knees, “I must take this poor bishop to the Grand Saint-Christophe, to buy some medals.  He would never get on without me.”

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The Nabob from Project Gutenberg. Public domain.