Now in everything which is left to chance by the chief actor, his personal merit, and therefore his responsibility as well, seems to be completely set aside; nevertheless we cannot suppress an inward feeling of satisfaction whenever expectation realises itself, and if it disappoints us our mind is dissatisfied; and more than this of right and wrong should not be meant by the judgment which we form from the mere result, or rather that we find there.

Nevertheless, it cannot be denied that the satisfaction which our mind experiences at success, the pain caused by failure, proceed from a sort of mysterious feeling; we suppose between that success ascribed to good fortune and the genius of the chief a fine connecting thread, invisible to the mind’s eye, and the supposition gives pleasure.  What tends to confirm this idea is that our sympathy increases, becomes more decided, if the successes and defeats of the principal actor are often repeated.  Thus it becomes intelligible how good luck in War assumes a much nobler nature than good luck at play.  In general, when a fortunate warrior does not otherwise lessen our interest in his behalf, we have a pleasure in accompanying him in his career.

Criticism, therefore, after having weighed all that comes within the sphere of human reason and conviction, will let the result speak for that part where the deep mysterious relations are not disclosed in any visible form, and will protect this silent sentence of a higher authority from the noise of crude opinions on the one hand, while on the other it prevents the gross abuse which might be made of this last tribunal.

This verdict of the result must therefore always bring forth that which human sagacity cannot discover; and it will be chiefly as regards the intellectual powers and operations that it will be called into requisition, partly because they can be estimated with the least certainty, partly because their close connection with the will is favourable to their exercising over it an important influence.  When fear or bravery precipitates the decision, there is nothing objective intervening between them for our consideration, and consequently nothing by which sagacity and calculation might have met the probable result.

We must now be allowed to make a few observations on the instrument of criticism, that is, the language which it uses, because that is to a certain extent connected with the action in War; for the critical examination is nothing more than the deliberation which should precede action in War.  We therefore think it very essential that the language used in criticism should have the same character as that which deliberation in War must have, for otherwise it would cease to be practical, and criticism could gain no admittance in actual life.