“Art thou indeed so modest, gentle Nigel—is thy happiness so distinct from self? thine eyes tell other tales sometimes, and speak they false, fair sir?”
Timidly, yet irresistibly, the maiden glanced up from her embroidery, but the gaze that met hers caused those bright eyes to fall more quickly than they were raised, and vainly for a few seconds did she endeavor so to steady her hand as to resume her task. Nigel was, however, spared reply, for a sharp and sudden bugle-blast reverberated through the tower, and with an exclamation of wondering inquiry Alan bounded from the chamber. There was one other inmate of that apartment, whose presence, although known and felt, had, as was evident, been no restraint either to the employments or the sentiments of the two youths and their companion. Their conversation had not passed unheeded, although it had elicited no comment or rejoinder. The Countess of Buchan stood within one of those deep embrasures we have noticed, at times glancing towards the youthful group with an earnestness of sorrowing affection that seemed to have no measure in its depth, no shrinking in its might; at others, fixing a long, unmeaning, yet somewhat anxious gaze on the wide plain and distant ocean, which the casement overlooked.
It was impossible to look once on the countenance of Isabella of Buchan, and yet forbear to look again, The calm dignity, the graceful majesty of her figure seemed to mark her as one born to command, to hold in willing homage the minds and inclinations of men; her pure, pale brow and marble cheek—for the rich rose seemed a stranger there—the long silky lash of jet, the large, full, black eye, in its repose so soft that few would guess how it could flash fire, and light up those classic features with power to stir the stagnant souls of thousands and guide them with a word. She looked in feature as in form a queen; fitted to be beloved, formed to be obeyed. Her heavy robe of dark brocade, wrought with thick threads of gold, seemed well suited to her majestic form; its long, loose folds detracting naught from the graceful ease of her carriage. Her thick, glossy hair, vying in its rich blackness with the raven’s wing, was laid in smooth bands upon her stately brow, and gathered up behind in a careless knot, confined with a bodkin of massive gold. The hood or coif, formed of curiously twisted black and golden threads, which she wore in compliance with the Scottish custom, that thus made the distinction between the matron and the maiden, took not from the peculiarly graceful form of the head, nor in any part concealed the richness of the hair. Calm and pensive as was the general expression of her countenance, few could look upon it without that peculiar sensation of respect, approaching to awe, which restrained and conquered sorrow ever calls for. Perchance the cause of such emotion was all too delicate, too deeply veiled to be defined by those rude hearts who were yet conscious of its existence; and for them it was enough to own her power, bow before it, and fear her as a being set apart.


