These thoughts naturally engrossed his mind to the exclusion of all imaginative whisperings, and therefore was it that he drew back the bolt of a door which closed the passage, without any of those peculiar feelings that at a less anxious time might have possessed him; for souls less gifted than that of Nigel Bruce can seldom enter a spot hallowed by tradition without the electric thrill which so strangely unites the present with the past.
It was a chamber of moderate dimensions to which the oaken door admitted him, hung with coarse and faded tapestry, which, disturbed by the wind, disclosed an opening into another passage, through which he pursued his way. In the apartment on which the dark and narrow passage ended, however, his steps were irresistibly arrested. It was panelled with black-oak, of which the floor also was composed, giving the whole an aspect calculated to infect the most thoughtless spirit with gloom. Two high and very narrow windows, the small panes of which were quite incrusted with dust, were the only conductors of light, with the exception of a loophole—for it could scarcely be dignified by the name of casement—on the western side. Through this loophole the red light of a declining winter sun sent its rays, which were caught and stayed on what seemed at the distance an antique picture-frame. Wondering to perceive a picture out of its place in the gallery, Nigel hastily advanced towards it, pausing, however, on his way to examine, with some surprise, one of the planks in the floor, which, instead of the beautiful black polish which age had rather heightened than marred in the rest, was rough and white, with all the appearance of having been hewn and scraped by some sharp instrument.


