The magnificent remains of two dynasties that had passed away, the ruins of Roman palaces, and of Moorish fortresses, were around and above him;—the dark and heavy thunder clouds that advanced slowly, seemed like the shrouds of these specters of departed greatness; they approached, but did not yet overwhelm or conceal them, as if Nature herself was for once awed by the power of man; and far below, the lovely valley of Valencia blushed and burned in all the glory of sunset, like a bride receiving the last glowing kiss of the bridegroom before the approach of night. Stanton gazed around. The difference between the architecture of the Roman and Moorish ruins struck him. Among the former are the remains of a theater, and something like a public place; the latter present only the remains of fortresses, embattled, castellated, and fortified from top to bottom,—not a loophole for pleasure to get in by,—the loopholes were only for arrows; all denoted military power and despotic subjugation a l’outrance. The contrast might have pleased a philosopher, and he might have indulged in the reflection, that though the ancient Greeks and Romans were savages (as Dr. Johnson says all people who want a press must be, and he says truly), yet they were wonderful savages for their time, for they alone have left traces of their taste for pleasure in the countries they conquered, in their superb theaters, temples (which were also dedicated to pleasure one way or another), and baths, while other conquering bands of savages never left anything behind them but traces of their rage for power. So thought Stanton, as he still saw strongly defined, though darkened by the darkening clouds, the huge skeleton of a Roman amphitheater, its arched and gigantic colonnades now admitting a gleam of light, and now commingling with the purple thunder cloud; and now the solid and heavy mass of a Moorish fortress, no light playing between its impermeable walls,—


