Or, to take an acknowledged hero, one of the old Greek sort, the theme of the song of the greatest of human poets, whom it is less easy to refuse to admire than even our friend Reineke. Take Ulysses. It cannot be said that he kept his hands from taking what was not his, or his tongue from speaking what was not true; and if Frau Ermelyn had to complain (as indeed there was too much reason for her complaining) of certain infirmities in her good husband, Penelope, too, might have urged a thing or two, if she had known as much about the matter as we know, which the modern moralist would find it hard to excuse.
After all is said, the capable man is the man to be admired. The man who tries and fails, what is the use of him? We are in this world to do something— not to fail in doing it. Of your bunglers—helpless, inefficient persons, “unfit alike for good or ill,” who try one thing, and fail because they are not strong enough, and another, because they have not energy enough, and a third, because they have no talent—inconsistent, unstable, and therefore never to excel, what shall we say of them? what use is there in them? what hope is there of them? what can we wish for them? to mepot’ einai pant’ ariston. It were better for them they had never been born. To be able to do what a man tries to do, that is the first requisite; and given that, we may hope all things for him. “Hell is paved with good intentions,” the proverb says; and the enormous proportion of bad successes in this life lie between the desire and the execution. Give us a man who is able to do what he settles that he desires to do, and we have the one thing indispensable. If he can succeed doing ill, much more he can succeed doing well. Show him better, and, at any rate, there is a chance that he will do better.


