The Poetry of Architecture eBook

This eBook from the Gutenberg Project consists of approximately 205 pages of information about The Poetry of Architecture.

The Poetry of Architecture eBook

This eBook from the Gutenberg Project consists of approximately 205 pages of information about The Poetry of Architecture.
in the higher walks of architecture, where the mind is to be impressed or elevated, we never have equaled, and we never shall equal, them.  It will be seen hereafter, when we leave the lowly valley for the torn ravine, and the grassy knoll for the ribbed precipice, that, if the continental architects cannot adorn the pasture with the humble roof, they can crest the crag with eternal battlements;[11] if they cannot minister to a landscape’s peace, they can add to its terror; and it has been already seen, that, in the lowland cottages of France and Italy, where high and refined feelings were to be induced, where melancholy was to be excited, or majesty bestowed, the architect was successful, and his labor was perfect:  but, now, nothing is required but humility and gentleness; and this, which he does not feel, he cannot give:  it is contrary to the whole force of his character, nay, even to the spirit of his religion.  It is unfelt even at the time when the soul is most chastened and subdued; for the epitaph on the grave is affected in its sentiment, and the tombstone gaudily gilded, or wreathed with vain flowers.

[Footnote 11:  This too refers to the unwritten sequel.]

[Illustration:  FIG. 6.  The Highest House in England.]

59.  We cannot, then, be surprised at the effort at ornament and other fancied architectural beauties, which injure the effect of the more peaceful mountain scenery abroad; but still less should we be surprised at the perfect propriety which prevails in the same kind of scenery at home; for the error which is there induced by one mental deficiency, is here prevented by another.  The uncultivated mountaineer of Cumberland has no taste, and no idea of what architecture means; he never thinks of what is right, or what is beautiful, but he builds what is most adapted to his purposes, and most easily erected:  by suiting the building to the uses of his own life, he gives it humility; and, by raising it with the nearest material, adapts it to its situation.  This is all that is required, and he has no credit in fulfilling the requirement, since the moment he begins to think of effect, he commits a barbarism by whitewashing the whole.  The cottages of Cumberland would suffer much by this piece of improvement, were it not for the salutary operation of mountain rains and mountain winds.

60.  So much for the hill dwellings of our own country.  I think the examination of the five examples of the cottage which I have given have furnished all the general principles which are important or worthy of consideration; and I shall therefore devote no more time to the contemplation of individual buildings.  But, before I leave the cottage altogether, it will be necessary to notice a part of the building which I have in the separate instances purposely avoided mentioning, that I might have the advantage of immediate comparison; a part exceedingly important, and which seems to have been essential to the palace as well

Copyrights
Project Gutenberg
The Poetry of Architecture from Project Gutenberg. Public domain.