The enormous extent of the summer exodus to the mountains and the seas in America is overwhelming; and a population of sixty-five millions does not seem a bit too much to account for it. I used to think that about all the Americans who could afford to travel came to Europe. But the American tourists in Europe are, after all, but a drop in the bucket compared with the oceans of summer and winter visitors to the Adirondacks and Florida, Manitoba Springs and the coast of Maine, the Catskills and Long Branch, Newport and Lenox, Bar Harbor and California, White Sulphur Springs and the Minnesota Lakes, Saratoga and Richfield, The Thousand Isles and Martha’s Vineyard, Niagara and Trenton Falls, Old Point Comfort and Asheville, the Yellowstone and the Yosemite, Alaska and the Hot Springs of Arkansas. And everywhere that the season’s visitor is expected he will find hotels awaiting him that range all the way from reasonable comfort to outrageous magnificence; while a simpler taste will find a plain boarding-house by almost every mountain pool or practicable beach in the whole wide expanse of the United States. The Briton may not have yet abdicated his post as the champion traveller or explorer of unknown lands, but the American is certainly the most restless mover from one resort of civilisation to another.
Perhaps the most beautiful hotel in the world is the Ponce de Leon at St. Augustine, Florida, named after the Spanish voyager who discovered the flowery[32] State in 1512, and explored its streams on his romantic search for the fountain of eternal youth. And when I say beautiful I use the word in no auctioneering sense of mere size, and height, and evidence of expenditure, but as meaning a truly artistic creation, fine in itself and appropriate to its environment. The hotel is built of “coquina,” or shell concrete, in a Spanish renaissance style with Moorish features, which harmonises admirably with the sunny sky of Florida and the historic associations of St. Augustine. Its colour scheme, with the creamy white of the concrete, the overhanging roofs of red tile, and the brick and terra-cotta details, is very effective, and contrasts well with the deep-blue overhead and the luxuriant verdancy of the orange-trees, magnolias,


