Repertory Of The Comedie Humaine, Complete, A — Z eBook

This eBook from the Gutenberg Project consists of approximately 611 pages of information about Repertory Of The Comedie Humaine, Complete, A — Z.

Repertory Of The Comedie Humaine, Complete, A — Z eBook

This eBook from the Gutenberg Project consists of approximately 611 pages of information about Repertory Of The Comedie Humaine, Complete, A — Z.
his supposed poverty, kept him from getting married.  The pleasures of a gourmand replaced those of the lover; he likewise found some consolation for his isolation in his friendship with Schmucke.  Pons suffered from his taste for high living; he grew old, like a parasitic plant, outside the circle of his family, only tolerated by his distant cousins, the Camusot de Marvilles, and their connections, Cardot, Berthier and Popinot.  In 1834, at the awarding of the prize to the young ladies of a boarding-school, he met the pianist Schmucke, a teacher as well as himself, and in the strong intimacy that grew up between them, he found some compensation for the blighted hopes of his existence.  Sylvain Pons was director of the orchestra at the theatre of which Felix Gaudissart was manager during the monarchy of July.  He had Schmucke admitted there, with whom he passed several happy years, in a house, on the rue de Normandie, belonging to C.-J.  Pillerault.  The bitterness of Madeleine Vivet and Amelie Camusot de Marville, and the covetousness of Madame Cibot, the door-keeper, and Fraisier, Magus, Poulain and Remonencq were perhaps the indirect causes of the case of hepatitis of which Pons died (in April, 1845), appointing Schmucke his residuary legatee before Maitre Leopold Hannequin, who had been hastily summoned by Heloise Brisetout.  Pons was on the point of being employed to compose a piece of ballet music, entitled “Les Mohicans.”  This work most likely fell to his successor, Garangeot. [Cousin Pons.]

[*] M. Alphonse de Launay has derived from the life of Sylvain Pons a
    drama that was presented at the Cluny theatre, Paris, about 1873.

POPINOT, alderman of Sancerre in the eighteenth century; father of Jean-Jules Popinot and Madame Ragon (born Popinot).  He was the officer whose portrait, painted by Latour, adorned the walls of Madame Ragon’s parlor, during the Restoration, at her home in the Quartier Saint-Sulpice, Paris. [Cesar Birotteau.]

POPINOT (Jean-Jules), son of the preceding, brother of Madame Ragon, and husband of Mademoiselle Bianchon—­of Sancerre—­embraced the profession of law, but did not attain promptly the rank which his powers and integrity deserved.  Jean-Jules Popinot remained for a long time a judge of a lower court in Paris.  He took a deep interest in the fate of the young orphan Anselme Popinot, his nephew, and a clerk of Cesar Birotteau; and was invited with Madame Jean-Jules Popinot to the perfumer’s famous ball, on Sunday, December 17, 1818.  Nearly eighteen months later, Jean-Jules Popinot once more saw Anselme, who was set up as a druggist on the rue des Cinq-Diamants, and met Felix Gaudissart, the commercial-traveler, and tried to excuse certain imprudent utterances of his on the political situation, that had been reported by Canquoelle-Peyrade, the police-agent. [Cesar Birotteau.] Three years later he lost his wife, who had brought him, for dowry, an income of six thousand francs, representing exactly

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Repertory Of The Comedie Humaine, Complete, A — Z from Project Gutenberg. Public domain.