At a little past six away we steered for home, but with a head wind and rather choppy sea, so there was no help for it but to tack, which made a long trip of it; but to make it short to the reader we reached home about nine p.m., tired, wet, and hungry, for it began to drizzle at sundown.  Still, I never enjoyed a trip better than this memorable one of about twenty-five miles, although I was glad after supper to lay my head down on my pillow (and dream it all over again).

At the risk of wearying my readers I must tell them of a trip I took round Guernsey about a month later.

“Begum” went with me, that was now a matter of course, for directly the boat was shoved off, he would jump in and take his seat as if he were pilot:  there was no getting him out again.

Well provisioned and provided for casualties, we started at the somewhat late hour of six a.m., and in an hour made the land opposite St. Sampson’s harbour, and peeped in on passing, so as to see the busy scene of granite trimming, breaking, and loading, which goes on here from sunrise to sunset all the year round.  I could plainly hear the detonations as shots were fired in the quarries, and the dull rumble of the stone, as great masses of granite, which have been unmoved since the creation, were rent asunder and toppled into the quarry below.  Vale Castle and Bordeaux harbour, where I anchored, look picturesque from whatever points they are seen, whether from land or sea, and two hours quickly glided by as I sketched the lovely little bits of scenery around me.  My plan was to take about half an hour for each sketch, to get the general outline and feeling of color, so that on my return I had plenty to occupy me on a rainy day.

The next point of interest was a little rocky island just past Bordeaux, called Hommet Paradis, which is the scene of the death of Victor Hugo’s hero, Gilliatt, as related in “The Toilers of the Sea.”  He creates a splendid hero, and in the last chapter makes him commit suicide in an impossible manner.  He causes his hero to stand in the sea, so that the tide rises up to his feet, his knees, his waist, his shoulders, till, still watching the vessel which bears his love from him through his own stupid act, nothing but his head remains.  Then the tide continues to rise, and as the vessel vanishes on the horizon, “the head of Gilliatt disappears.  Nothing was visible now but the sea.”  Surely he might have left a lock of hair or a sigh to mark the spot where he disappeared.  I have tried on even a very calm day to stand as Hugo’s hero did, and let the tide rise around me, but find the thing an impossibility.  The motion of the rising tide would lift one off their feet long before the water rose above their shoulders, and as to making the man stand still and drown, why the idea is ludicrous.  But as Hugo created his hero, why should he not be allowed to destroy him as he likes?  The book (except the last chapter) is an exquisite piece of word painting, but I always wish he had made a happy end of his hero.  I felt this so much when I read it on Jethou (for the third or fourth time) that I actually re-wrote the last chapter for my own edification, and made Gilliatt marry Dernchette willy-nilly, so that everything ended properly, and the lovers “lived happily ever after.”