[Illustration: 325.jpg COINS OF THE SATRAPS WITH ARAMAEAN INSCRIPTIONS]
Drawn by Faucher-Gudin,
from coins in the Cabinet des
Medailles
The whole face of their country had undergone a profound change since that time: the Urartians, driven northwards, became intermingled with the tribes on the slopes of the Caucasus, while the Armenians, carried along towards the east, as though by some resistless current, were now scaling the mountainous bulwark of Ararat, and slowly but surely encroaching on the lower plains of the Araxes. These political changes had been almost completed by the time of Ochus, and Urartu had disappeared from the scene, but an Armenia now flourished in the very region where Urartu had once ruled, and its princes, who were related to the family of the Achaemenides, wielded an authority little short of regal under the modest name of satraps. Thanks to their influence, the religions and customs of Iran were introduced into the eastern borders of Asia Minor. They made their way into the valleys of the Iris and the Halys, into Cappadocia and the country round Mount Taurus, and thither they brought with them the official script of the empire, the Persian and Aramaean cuneiform which was employed in public documents, in inscriptions, and on coins. The centre of the peninsula remained very much the same as it had been in the period of the Phrygian supremacy, but further westward Hellenic influences gradually made themselves felt.
[Illustration: 326.jpg A LYCIAN TOMB]
Drawn by Faucher-Gudin, from a woodcut in Bonndorff.
The arts of Greece, its manners, religious ideals, and modes of thought, were slowly displacing civilisations of the Asianic type, and even in places like Lycia, where the language successfully withstood the Greek invasion, the life of the nations, and especially of their rulers, became so deeply impregnated with Hellenism as to differ but little from that in the cities on the Ionic, AEolian, or Doric seaboard. The Lycians still adhered to the ancient forms which characterised their funerary architecture, but it was to Greek sculptors, or pupils from the Grecian schools, that they entrusted the decoration of the sides of their sarcophagi and of their tombs.


