Scenes from a Courtesan's Life eBook

This eBook from the Gutenberg Project consists of approximately 719 pages of information about Scenes from a Courtesan's Life.

Scenes from a Courtesan's Life eBook

This eBook from the Gutenberg Project consists of approximately 719 pages of information about Scenes from a Courtesan's Life.

By the time the old lover returned, darkness was falling; the bouquet was no longer of any use.  The hour for driving in the Champs-Elysees in winter is between two and four.  However, the carriage was of use to convey Esther from the Rue Taitbout to the Rue Saint-Georges, where she took possession of the “little palace.”  Never before had Esther been the object of such worship or such lavishness, and it amazed her; but, like all royal ingrates, she took care to express no surprise.

When you go into St. Peter’s at Rome, to enable you to appreciate the extent and height of this queen of cathedrals, you are shown the little finger of a statue which looks of a natural size, and which measures I know not how much.  Descriptions have been so severely criticised, necessary as they are to a history of manners, that I must here follow the example of the Roman Cicerone.  As they entered the dining-room, the Baron could not resist asking Esther to feel the stuff of which the window curtains were made, draped with magnificent fulness, lined with white watered silk, and bordered with a gimp fit to trim a Portuguese princess’ bodice.  The material was silk brought from Canton, on which Chinese patience had painted Oriental birds with a perfection only to be seen in mediaeval illuminations, or in the Missal of Charles V., the pride of the Imperial library at Vienna.

“It hafe cost two tousand franc’ an ell for a milord who brought it from Intia——­”

“It is very nice, charming,” said Esther.  “How I shall enjoy drinking champagne here; the froth will not get dirty here on a bare floor.”

“Oh! madame!” cried Europe, “only look at the carpet!”

“Dis carpet hafe been made for de Duc de Torlonia, a frient of mine, who fount it too dear, so I took it for you who are my qveen,” said Nucingen.

By chance this carpet, by one of our cleverest designers, matched with the whimsicalities of the Chinese curtains.  The walls, painted by Schinner and Leon de Lora, represented voluptuous scenes, in carved ebony frames, purchased for their weight in gold from Dusommerard, and forming panels with a narrow line of gold that coyly caught the light.

From this you may judge of the rest.

“You did well to bring me here,” said Esther.  “It will take me a week to get used to my home and not to look like a parvenu in it——­”

My home!  Den you shall accept it?” cried the Baron in glee.

“Why, of course, and a thousand times of course, stupid animal,” said she, smiling.

“Animal vas enough——­”

“Stupid is a term of endearment,” said she, looking at him.

The poor man took Esther’s hand and pressed it to his heart.  He was animal enough to feel, but too stupid to find words.

“Feel how it beats—­for ein little tender vort——­”

And he conducted his goddess to her room.

“Oh, madame, I cannot stay here!” cried Eugenie.  “It makes me long to go to bed.”

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Scenes from a Courtesan's Life from Project Gutenberg. Public domain.