Thus if, as we have endeavoured to show, it is the function of music to facilitate the development of this emotional language, we may regard music as an aid to the achievement of that higher happiness which it indistinctly shadows forth. Those vague feelings of unexperienced felicity which music arouses—those indefinite impressions of an unknown ideal life which it calls up, may be considered as a prophecy, to the fulfilment of which music is itself partly instrumental. The strange capacity which we have for being so affected by melody and harmony may be taken to imply both that it is within the possibilities of our nature to realise those intenser delights they dimly suggest, and that they are in some way concerned in the realisation of them. On this supposition the power and the meaning of music become comprehensible; but otherwise they are a mystery.
We will only add, that if the probability of these corollaries be admitted, then music must take rank as he highest of the fine arts—as the one which, more than any other, ministers to human welfare. And thus, even leaving out of view the immediate gratifications it is hourly giving, we cannot too much applaud that progress of musical culture which is becoming one of the characteristics of our age.
[1] Fraser’s Magazine, October 1857.
[2] Those who seek information on this point may find it in an interesting tract by Mr. Alexander Bain, on Animal Instinct and Intelligence.

