The Tarahumare is ingenious in devising many kinds of traps for birds and animals.  Into the burrow of the gopher he places a small upright frame cut from a piece of bark.  There is a groove inside of the frame, and in this the snare runs; and a string is attached to a bough above ground.  Another string, on which some grains of corn are threaded, keeps the snare set and obstructs the gopher’s passage through the frame.  When trying to get at the kernels the gopher cuts the string, the snare is released, and he is caught in his own burrow.

Squirrels are hunted in the most primitive way—­by cutting down the tree on which an animal is discovered.  Sometimes it will escape when the tree falls, and then the man has to cut down another tree, and thus he may go on felling as many as ten trees before he can bag his game, not a very substantial reward for a whole day’s work.

The women make girdles and blankets on primitive looms, inserting characteristic designs in the weaving.  It takes four days of constant work to make a girdle, but no woman weaves more than one blanket in a year, and it is almost an event when it is finished.  The weaving frame consists simply of four sticks—­placed on the ground tied together in a rectangle or triangle, and pieces of reed on which the thread is wound, one for each colour, are used as shuttles.  Textiles from Pamachic are especially highly valued.  The blankets from that locality are sold all over the Tarahumare country and are the finest made by the tribe.

The Tarahumares are not far advanced in the art of making pottery.  Their work is crude and not very substantial.  The industry is practised only by the women, and the degree of ability varies considerably.  The art is often hereditary.  The nicest pottery I found in the neighbourhood of Panalachic, where it is decorated with certain designs in red and white.  One woman in a western barranca cultivated a specialty of making large jars for holding tesvino.  The largest jar shown in the illustration was nearly eight feet in circumference.

Women when making pottery taste a little of the clay before commencing work, ascertaining whether it is the right kind or not.  Some of the clay is acid and not good.  The clay which is serviceable is a little sweet and of a pale yellow colour.  The clay is dried and ground, and then mixed with ground pieces of old pottery instead of sand.  To make a piece of pottery, a lump of clay is hollowed out in the shape of a cup, and on this foundation the jar is built up, thin layers of clay being placed on successively, and smoothed carefully over with wet hands, making the walls thinner and thinner.  The vessel is built up standing on a bowl filled with ashes and covered with a piece of cotton cloth.