Paralepsis, or the passenger. 194
Commoratio, or figure of aboade. 194
Metastasis, or figure of remoue, otherwise
  called the flitter. 194
Parecuasis, or the straggler, otherwise
  called the figure of digression. 195
Expeditio, or the dispatcher. 195
Diologismus, or the right reasoner. 196
Gnome, or the director, otherwise
  called the sagesayer. 197
Sinathrismus, or the heaping figure. 197
Apostrophe, or the turne tale. 198
Hipotiposis, or the counterfait, otherwise
  called the figure of representation. 199
Prosopographia, or the counterfet countenance. 199
Prosopopeia, or the false impersonation. 200
Chronographia, or the counterfait of time. 200
Topographia, or counterteit of place. 200
Pragmatographia, or counterfait of action. 203
Omoiosis, or the figure of resemblance. 203
Icon, or resemblance by portrait, and ymagerie. 204
Parabola, or resemblance misticall. 205
Paradigma, or resemblance by example. 205
Exargasia, or the gorgious, otherwise
  called the bewtifull. 206
Of the vices and deformitie in speech principally noted
  by ancient Poets. 208
How some vices in speeches are alwaies intollerable, some others
  now and then borne withal by licence of approued authors. 209
Barbarismus, or barbarous speech. 209
Solecismus, or false speech. 210
Cacozelia, or fonde affectation. 210
Soraismus, or the vice called the mingle-mangle. 211
Cacosintheton, or the misplacer. 212
Cacemphaton, or foule speech. 212
Tautologia, or selfe saying. 213
Acyron, or the vncouth. 214
Pleonasmus, or fault of full speech. 215
Macrologia, or long language. 215
Periergia, or ouerlabor, otherwise called the curious.