An Essay towards Fixing the True Standards of Wit, Humour, Railery, Satire, and Ridicule (1744) eBook

This eBook from the Gutenberg Project consists of approximately 78 pages of information about An Essay towards Fixing the True Standards of Wit, Humour, Railery, Satire, and Ridicule (1744).

An Essay towards Fixing the True Standards of Wit, Humour, Railery, Satire, and Ridicule (1744) eBook

This eBook from the Gutenberg Project consists of approximately 78 pages of information about An Essay towards Fixing the True Standards of Wit, Humour, Railery, Satire, and Ridicule (1744).

It may be further remark’d, that Johnson by pursuing the most useful Intention of Comedy, is in Justice oblig’d to hunt down and demolish his own Characters.  Upon this Plan he must necessarily expose them to your Hatred, and of course can never bring out an amiable Person.  His Subtle, and Face are detected at last, and become mean and despicable.  Sir Epicure Mammon is properly trick’d, and goes off ridiculous and detestable.  The Puritan Elders suffer for their Lust of Money, and are quite nauseous and abominable; And his Morose meets with a severe Punishment, after having sufficiently tir’d you with his Peevishness.—­But Shakespear, with happier Insight, always supports his Characters in your Favour.  His Justice Shallow withdraws before he is tedious; The French Doctor, and Welch Parson, go off in full Vigour and Spirit; Ancient Pistoll indeed is scurvily treated; however, he keeps up his Spirits, and continues to threaten so well, that you are still desirous of his Company; and it is impossible to be tir’d or dull with the gay unfading Evergreen Falstaff.

But in remarking upon the Characters of Johnson, it would be unjust to pass Abel Drugger without notice; This is a little, mean, sneaking, sordid Citizen, hearkening to a Couple of Sharpers, who promise to make him rich; they can scarcely prevail upon him to resign the least Tittle he possesses, though he is assur’d, it is in order to get more; and your Diversion arises, from seeing him wrung between Greediness to get Money, and Reluctance to part with any for that Purpose.  His Covetousness continually prompts him to follow the Conjurer, and puts him at the same Time upon endeavouring to stop his Fees.  All the while he is excellently managed, and spirited on by Face.  However, this Character upon the whole is mean and despicable, without any of that free spirituous jocund Humour abounding in Shakespear.  But having been strangely exhibited upon the Theatre, a few Years ago, with odd Grimaces and extravagant Gestures, it has been raised into more Attention than it justly deserved; It is however to be acknowledg’d, that Abel has no Hatred, Malice or Immorality, nor any assuming Arrogance, Pertness or Peevishness; And his eager Desire of getting and saving Money, by Methods he thinks lawful, are excusable in a Person of his Business; He is therefore not odious or detestable, but harmless and inoffensive in private Life; and from thence, correspondent with the Rule already laid down, he is the most capable of any of Johnson’s Characters, of being a Favourite on the Theatre.

It appears, that in Imagination, Invention, Jollity and gay Humour, Johnson had little Power; But Shakespear unlimited Dominion.  The first was cautious and strict, not daring to sally beyond the Bounds of Regularity.  The other bold and impetuous, rejoicing like a Giant to run his Course, through all the Mountains and Wilds of Nature and Fancy.

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An Essay towards Fixing the True Standards of Wit, Humour, Railery, Satire, and Ridicule (1744) from Project Gutenberg. Public domain.