“What!” cried a gentleman from the West, impatiently rising to his feet, “are we here to dilate upon the advancement of music? What we have to consider first of all is manners, and the moral question is paramount in this discussion.”
“Nevertheless,” remarked one of the most influential members of the council, “the suggestion of the former speaker is not in my opinion to be passed by. In the last century, gentlemen, Sterne, one of the writers most philosophically delightful and most delightfully philosophic, complained of the carelessness with which human beings were procreated; ‘Shame!’ he cried ’that he who copies the divine physiognomy of man receives crowns and applause, but he who achieves the masterpiece, the prototype of mimic art, feels that like virtue he must be his own reward.’
“Ought we not to feel more interest in the improvement of the human race than in that of horses? Gentlemen, I passed through a little town of Orleanais where the whole population consisted of hunchbacks, of glum and gloomy people, veritable children of sorrow, and the remark of the former speaker caused me to recollect that all the beds were in a very bad condition and the bedchambers presented nothing to the eyes of the married couple but what was hideous and revolting. Ah! gentlemen, how is it possible that our minds should be in an ideal state, when instead of the music of angels flying here and there in the bosom of that heaven to which we have attained, our ears are assailed by the most detestable, the most angry, the most piercing of human cries and lamentations? We are perhaps indebted for the fine geniuses who have honored humanity to beds which are solidly constructed; and the turbulent population which caused the French Revolution were conceived perhaps upon a multitude of tottering couches, with twisted and unstable legs; while the Orientals, who are such a beautiful race, have a unique method of making their beds. I vote for the adjournment.”
And the gentleman sat down.


