that of the simpler Greek temples; distinguished from
them by peculiarities of ornamentation, but by no
striking or important feature, excepting the grand
and elaborately sculptured staircase. Internally,
it was remarkable for the small number of its apartments,
which seem not to have been more than twelve or thirteen,
and for the moderate size of most of them. Even
the grand central hall covered a less area than three
out of the five halls in the country palace of Sargon.
The effect of this room was probably fine, though
it must have been somewhat over-crowded with pillars.
If these were, however (as is probable), light wooden
posts, plated with silver or with gold, and if the
ceiling consisted (as it most likely did) of beams,
crossing each other at right angles, with square spaces
between them, all likewise coated with the precious
metals; if moreover the cold stone walls, excepting
where they were broken by a doorway, or a window,
were similarly decked; if curtains of brilliant hues
hung across the entrances; if the pavement was of
many-colored stones, and in places covered with magnificent
carpets; if an elevated golden throne, under a canopy
of purple, adorned the upper end of the room, standing
against the wall midway between the two doors—if
this were in truth the arrangement and ornamentation
of the apartment, we can well understand that the
coup d’oeil must have been effective,
and the impression made on the spectator highly pleasing.
A room fifty feet square, and not much more than twenty
high, could not be very grand; but elegance of form,
combined with richness of material and splendor of
coloring, may have more than compensated for the want
of that grandeur which results from mere size.
If it be inquired how a palace of the dimensions described
can have sufficed even for one of the early Persian
kings, the reply must seemingly be that the building
in question can only have contained the public apartments
of the royal residence—the throne-room,
banqueting-rooms, guard-rooms, etc.,—and
that it must have been supplemented by at least one
other edifice of a considerable size, the Gynaeceum
or “House of the Women.” There is
ample room on the platform for such a building, either
towards the east, where the ground is now occupied
by a high mound of rubbish, or on the west, towards
the edge of the platform, where traces of a large
edifice were noted by Niebuhr. On the whole,
this latter situation seems to be the more probable;
and the position of the Gynaeceum in this quarter
may account for the alteration made by Artaxerxes
Ochus in the palace of Darius, which now seriously
interferes with its symmetry. Artaxerxes cut a
doorway in the outer western wall, and another opposite
to it in the western wall of the great hall, adding
at the same time a second staircase to the building,
which thus became accessible from the west no less
than from the south. It has puzzled the learned
in architecture to assign a motive for this alteration.
May we not find an adequate one in the desire to obtain
a ready and comparatively private access to the Gynaeceum,
which must have been somewhere on the platform, and
which may well have lain in this direction?