M. Sauvage has, lastly, mentioned the theory of colours left in the eye, which he has termed impressions on the retina. He says, “Experience teaches us, that impressions made on the retina by a visible object remain some seconds after the object is removed; as appears from the circle of fire which we see, when a fire-stick is whirled round in the dark; therefore when we are carried round our own axis in a circle, we undergo a temporary vertigo, when we stop; because the impressions of the circumjacent objects remain for a time afterwards on the retina.” Nosolog. Method. Clas. VIII. I. 1. We have before observed, that the changes of these colours remaining in the eye, evinces them to be motions of the fine terminations of the retina, and not impressions on it; as impressions on a passive substance must either remain, or cease intirely. See an additional note at the end of the second volume.
Any one, who stands alone on the top of a high tower, if he has not been accustomed to balance himself by objects placed at such distances and with such inclinations, begins to stagger, and endeavours to recover himself by his muscular feelings. During this time the apparent motion of objects at a distance below him is very great, and the spectra of these apparent motions continue a little time after he has experienced them; and he is persuaded to incline the contrary way to counteract their effects; and either immediately falls, or applying his hands to the building, uses his muscular feelings to preserve his perpendicular attitude, contrary to the erroneous persuasions of his eyes. Whilst the person, who walks in the dark, staggers, but without dizziness; for he neither has the sensation of moving objects to take off his attention from his muscular feelings, nor has he the spectra of those motions continued on his retina to add to his confusion. It happens indeed sometimes to one landing on a tower, that the idea of his not having room to extend his base by moving one of his feet outwards, when he begins to incline, superadds fears to his other inconveniences; which like surprise, joy, or any great degree of sensation, enervates him in a moment, by employing the whole sensorial power, and by thus breaking all the associated trains and tribes of motion.


