Kindling in between paper and anything, kindling is so white that it is useless to show the color of paper, it is quite useless and yet wood which is wood and which is paper is so splendid.

Acting together always acting together there is so much choice, there is the choice first of all the wholes and then more places are filled and there is every choice.  Filling is splendid.

The time which is limited is that which is chosen and the necessary statement is that in the beginning there is no swelling, in the middle there is no dwindling, in the end there is no division.  This is the order of the referred elongation.

A quiet scene in a laughter does not shine away.

Consider the climbing that circles and celebrating sees the outline.  Consider that and measure, measure and receive the carmine.  Consider no smoke, consider no orange, consider no flower, consider no clambering creeper, consider no outburst and no incline, consider no silence.

Capable of a recital, inches of inside measure, all the western window wet and no smoke settling, all this and a hurricane, is a flight simple, it is not babyish, it is not surgical.

The proposition is that a certain relation between the merit which is and the merit which is is that which pertains to a master line.  The presence is that that which is the region is not only a realm it is a preliminary.  All this shows in shadow and in shouting there is silence and a celebrity.  All this shows in wounding and in loving all the mound.  All this shows a widening and excessively excessive round.  All this shows a vineing and it shows so much meal purge and such searching that any silence which is eloped is that which is restrained from resting.  This is not silence.

A tooth when is a tooth empty, a tooth is empty when conduct is preferable.

A lingering period is not shortened by melting axes, it is not even shortened by a humming sound.

Quiet very quiet and no paper, very quiet and no tangle and nothing solitary and not even a wounded sermon.  None of these show choking.

To show a variation there is no place so recent that there is not a crack and a selection.  To be violent is not so necessary but that if there have been witnesses there is blossoming.  So much courage, so much magnitude, so much sorrow, so much exchange, so many mingled interstices and so many meadows why is the exchange perfect, it is so disorganised.

The credit that comes from interregulation and motionless maritime industry shows no sign of diminishing when there is a call for mountains and character.

The special relation of more to most and gradually to reincarnation, the special relation of the mingling to effervescing and the resolution to intervention, the very especial relation of observation to analysis and the joint to a foot all this is so critical that there cannot be an occasion.

What is struggling, it is a recognition of a surface that has so many additions that there is use in a climax.  This does not mean steadying and despair, it means no more than the tiniest the very tiniest example of a blot and a simple exercise in righteousness and no excuse.