If there is a change, and there is no change, if there is a change and the window is a window seat, and the wall is a window, and the summer is long, and there is no wet winter, if there is a change, and there is no change, if there is a change then what is the difference between more and most, what is the difference and why is the difference not so simple as that. The difference is as simple as the difference between what there is and what there is. There is a difference and there is no time in which there is no reception of anything. There is not any effect when the effect is not produced. And if there is no change, if there is then certainly the whole explanation is not suggested. Nothing is suggested when there is no passing away and into and around and there is no such a thing, there is not any denial.
A pleasant use of a cockatoo is one that when it began made it begin and when there was a color made a bright sun. This was so recent that certainly there did not seem to be any meaning, there did not and what was the result, any one asking any one is not asking any one that, any one asking any one is asking any one why is there no retrospection, why is there more furniture than there was when the houses were empty, why is silence so anxious to please and so distressing, why is it all so changed and so simple, why is there such a long shadow. Any one asking any other one nothing is enjoying plenty of investigation and the separation of that into retarded and elongated substance and simple surface does not show any sign of increase. To decrease is not printed, to decrease is not projected and yet the culmination of resistance is resting and there is no rest when there is quiet and calm and it is so restful to rest and not recite a poem. All the same there is no excuse.
A charge to a sausage is the swelling pepper. The lightness and the relation and the hole all this together makes a seating figure.
The kindness in a circle and the use of a blue green tear makes a picture so large that there is no astonishment.
If the way to change the face is not used then there is not a bit of use in restating a comparison. The whole thing is so completely the rest of the difference that there is no alteration.
A park a whole park is a place with trees and mice and darkness and a horn and all the best ways of smelling flowers. A park which is not more is not lovable. It is as simple as that.
If the time is not shown by any change in the outside plum-tree what is the difference between that and an elbow. There is and doubt which is dead has died.
A death which is so becoming is so much seen by an emotion. The whole temper that is changed is not identical.
A smooth and simple trunk with lettering, a bark that has no roughness and a newspaper all this together makes printing and this is not disappointing, it is so singular that there are four esses.


