Glorious as the spectacle was, perhaps however, it passed unheeded. Those eyes were watching all for another object, which now drew near. In an open space behind the constable there was seen approaching “a white chariot,” drawn by two palfreys in white damask which swept the ground, a golden canopy borne above it making music with silver bells: and in the chariot sat the observed of all observers, the beautiful occasion of all this glittering homage; fortune’s plaything of the hour, the Queen of England—queen at last—borne along upon the waves of this sea of glory, breathing the perfumed incense of greatness which she had risked her fair name, her delicacy, her honour, her self-respect, to win; and she had won it.
There she sate, dressed in white tissue robes, her fair hair flowing loose over her shoulders, and her temples circled with a light coronet of gold and diamonds—most beautiful—loveliest—most favoured perhaps, as she seemed at that hour, of all England’s daughters. Alas! “within the hollow round” of that coronet—
Kept death his court, and there the antick
sate,
Scoffing her state and grinning at her
pomp.
Allowing her a little breath, a little
scene
To monarchise, be feared, and kill with
looks,
Infusing her with self and vain conceit,
As if the flesh which walled about her
life
Were brass impregnable; and humoured thus,
Bored through her castle walls; and farewell,
Queen.
Fatal gift of greatness! so dangerous ever! so more than dangerous in those tremendous times when the fountains are broken loose of the great deeps of thought; and nations are in the throes of revolution;—when ancient order and law and tradition are splitting in the social earthquake; and as the opposing forces wrestle to and fro, those unhappy ones who stand out above the crowd become the symbols of the struggle,


