100. An ardent-minded young man (who, by-the-by, will, as I am afraid, have been wearied by this rambling digression) may fear, that this great sobriety of conduct in a young woman, for which I have been so strenuously contending, argues a want of that warmth, which he naturally so much desires; and, if my observation and experience warranted the entertaining of this fear, I should say, had I to live my life over again, give me the warmth, and I will stand my chance as to the rest. But, this observation and this experience tell me the contrary; they tell me that levity is, ninety-nine times out of a hundred, the companion of a want of ardent feeling. Prostitutes never love, and, for the far greater part, never did. Their passion, which is more mere animal than any thing else, is easily gratified; they, like rakes, change not only without pain, but with pleasure; that is to say, pleasure as great as they can enjoy. Women of light minds have seldom any ardent passion; love is a mere name, unless confined to one object; and young women, in whom levity of conduct is observable, will not be thus restricted. I do not, however, recommend a young man to be too severe in judging, where the conduct does not go beyond mere levity, and is not bordering on loose conduct; for something depends here upon constitution and animal spirits, and something also upon the manners of the country. That levity, which, in a French girl, I should not have thought a great deal of, would have frightened me away from an English or an American girl. When I was in France, just after I was married, there happened to be amongst our acquaintance a gay, sprightly girl, of about seventeen. I was remonstrating with her, one day, on the facility with which she seemed to shift her smiles from object to object; and she, stretching one arm out in an upward direction, the other in a downward direction, raising herself upon one foot, leaning her body on one side, and thus throwing herself into flying attitude, answered my grave lecture by singing, in a very sweet voice (significantly bowing her head and smiling at the same time), the following lines from the vaudeville, in the play of Figaro:
Si l’amour a des ailles;
N’est ce pas pour voltiger?


