The theory of development in doctrine, which, in its latest application by ‘Modernists’ like Loisy and Tyrell, is now agitating the Roman Church, is exciting interest in a few of the more thoughtful Anglo-Catholics; but the majority are blind to the difficulties for which the theory of two kinds of truth is a desperate remedy. Nor is it likely, perhaps, that the plain Englishman will ever allow that an ostensibly historical proposition may be false as a matter of fact, but true for faith.
This party in the Church has a lay Pope, who represents the opinions of the more enterprising among the rank and file, and is president of their society, the English Church Union. It has the ably conducted weekly newspaper above referred to, and it has the general sympathy and support of the strongest man in the English Church, Charles Gore, Bishop of Birmingham. This prelate, partly by his personal qualities—his eloquence, high-minded disinterestedness, and splendid generosity, and partly by knowing exactly what he wants, and having full courage of his opinions, has at present an influence in the Anglican Church which is probably far greater than that of any other man. It is therefore a matter of public interest to ascertain what his views and intentions are, as an ecclesiastical statesman and reformer, and as a theologian.
Bishop Gore exercised a strong influence over the younger men at Oxford before the publication of ‘Lux Mundi.’ But it was his editorship of this book, and his contribution to it, which first brought his name into prominence as a leader of religious thought. The religious public, with rather more penetration than usual, fastened on the pages about inspiration, and the limitations of Christ’s human knowledge, which are from the editor’s own pen, as the most significant part of the book. The authors are believed to have been annoyed by the disproportionate attention paid to this short section. But in truth these pages indicated a new departure among the High Church party, a change more important than the acceptance of the doctrine of evolution, which was being made smoother for the religious public by the brilliant writings of Aubrey Moore. The acceptance of the verdict of modern criticism as to the authorship of the 110th Psalm, in the face of the recorded testimony of Christ that it was written by David, was a concession to ‘Modernism’ which staggered the old-fashioned


