Selections From the Works of John Ruskin eBook

This eBook from the Gutenberg Project consists of approximately 380 pages of information about Selections From the Works of John Ruskin.

Selections From the Works of John Ruskin eBook

This eBook from the Gutenberg Project consists of approximately 380 pages of information about Selections From the Works of John Ruskin.

Together with this great source of pre-eminence in mass of colour, we have to estimate the influence of the finished inlaying and enamel-work of the colour-jewellery on every stone; and that of the continual variety in species of flower; most of the mountain flowers being, besides, separately lovelier than the lowland ones.  The wood hyacinth and wild rose are, indeed, the only supreme flowers that the lowlands can generally show; and the wild rose is also a mountaineer, and more fragrant in the hills, while the wood hyacinth, or grape hyacinth, at its best cannot match even the dark bell-gentian, leaving the light-blue star-gentian in its uncontested queenliness, and the Alpine rose and Highland heather wholly without similitude.  The violet, lily of the valley, crocus, and wood anemone are, I suppose, claimable partly by the plains as well as the hills; but the large orange lily and narcissus I have never seen but on hill pastures, and the exquisite oxalisis pre-eminently a mountaineer.[26]

To this supremacy in mosses and flowers we have next to add an inestimable gain in the continual presence and power of water.  Neither in its clearness, its colour, its fantasy of motion, its calmness of space, depth, and reflection, or its wrath, can water be conceived by a lowlander, out of sight of sea.  A sea wave is far grander than any torrent—­but of the sea and its influences we are not now speaking; and the sea itself, though it can be clear, is never calm, among our shores, in the sense that a mountain lake can be calm.  The sea seems only to pause; the mountain lake to sleep, and to dream.  Out of sight of the ocean a lowlander cannot be considered ever to have seen water at all.  The mantling of the pools in the rock shadows, with the golden flakes of light sinking down through them like falling leaves, the ringing of the thin currents among the shallows, the flash and the cloud of the cascade, the earthquake and foam-fire of the cataract, the long lines of alternate mirror and mist that lull the imagery of the hills reversed in the blue of morning,—­all these things belong to those hills as their undivided inheritance.

To this supremacy in wave and stream is joined a no less manifest pre-eminence in the character of trees.  It is possible among plains, in the species of trees which properly belong to them, the poplars of Amiens, for instance, to obtain a serene simplicity of grace, which, as I said, is a better help to the study of gracefulness, as such, than any of the wilder groupings of the hills; so, also, there are certain conditions of symmetrical luxuriance developed in the park and avenue, rarely rivalled in their way among mountains; and yet the mountain superiority in foliage is, on the whole, nearly as complete as it is in water:  for exactly as there are some expressions in the broad reaches of a navigable lowland river, such as the Loire or Thames, not, in their way, to be matched among

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Selections From the Works of John Ruskin from Project Gutenberg. Public domain.