slipping off when pushed against it. The
two pounds of hot leaves are now divided into
two or three parcels, and distributed to as many men,
who stand up to the table with the leaves right
before them, and each placing his legs close together,
the leaves are next collected into a ball, which
he gently grasps in his left hand, with the thumb
extended, the fingers close together, and the hand
resting on the little finger. The right hand
must be extended in the same manner as the left,
but with the palm turned downwards resting on the top
of the ball of tea leaves. Both hands are
now employed to roll and propel the ball along;
the left hand pushing it on, and allowing it to
revolve as it moves; the right hand also pushes it
forward, resting on it with some force, and keeping
it down to express the juice which the leaves
contain. The art lies here in giving the ball
a circular motion, and permitting it to turn under
and in the hand two or three whole revolutions,
before the arms are extended to their full length,
and drawing the ball of leaves quickly back without
leaving a leaf behind, being rolled for about five
minutes in this way. The ball of tea leaves
is from time to time delicately and gently opened
with the fingers lifted as high as the face, and then
allowed to fall again. This is done two or three
times to separate the leaves; and afterwards the
basket with the leaves is lifted up as often,
and receives a circular shake to bring these towards
the centre. The leaves are now taken back to the
hot pans and spread out in them as before, being
again turned with the naked hand, and when hot
taken out and rolled; after which, they are put into
a drying basket and spread on a sieve, which is in
the centre of the basket, and the whole placed
over a charcoal fire. The fire is very nicely
regulated; there must not be the least smoke, and the
charcoal should be well picked.
When the fire is lighted it is fanned until it gets a fine red glare, and the smoke is all gone off; being every now and then stirred, and the coals brought into the centre, so as to leave the outer edge low. When the leaves are put into the drying basket, they are gently separated by lifting them up with the fingers of both hands extended far apart, and allowing them to fall down again; they are placed three or four inches deep on the sieve, leaving a passage in the centre for the hot air to pass. Before it is put over the fire, the drying basket receives a smart slap with both hands in the act of lifting it up, which is done to shake down any leaves that might otherwise drop through the sieve, or to prevent them from falling into the fire and occasioning a smoke, which would affect and spoil the tea. This slap on the basket is invariably applied throughout the stages of tea manufacture. There is always a large basket underneath to receive the small leaves that fall, which are afterwards collected, dried, and added to the other tea; in no case are the baskets or sieves


