Beautiful as his ideal figures are, he yet excels in his busts and statues of the great men of his native land.  His “Jefferson” and “Franklin” are wonderful works, and his “Calhoun” is said to be almost life-like.  This last was wrecked on the coast of Long Island on its voyage to America, and remained in the sea for some time, but being well packed was found, when raised, to be only slightly damaged by the water.

Mr. Powers has now resided in Italy for thirty-three years.  Motives of economy have controlled his action, for he would gladly return to his own land did he feel justified in doing so.  He has thus stated the reasons which have influenced his long residence abroad: 

Sculpture is universal.  The human form is of no country, and may be studied with equal advantage at home and abroad.  The opportunities of studying it abroad are so immeasurably greater than at home, that I do not see how it is possible, without great loss, to neglect them.

1.  It is impossible to model successfully without living models; and in America, in my time, it was almost at the peril of reputation, both for model and sculptor, that an artist employed the living model, even if he could procure it.  Now, I understand, a few models may be obtained in New York; but they are so rare and so expensive, that it is almost ruinous to employ them.  It costs two or three dollars there to secure a model which here may be had for half a day for forty cents.  There is no want of models here; but their history is a sad one, and makes one often seriously lament the necessity for employing them.  Young women, especially, are driven to this employment by the want of bread.  I have numerous offers of their services made by parents who are in great distress.  I make it a point to discourage all who come to me from entering the business, and am only conquered when I feel sure that, if I decline, they will be driven to other studios.  I prefer only professional models, already thoroughly committed to the calling, as I shrink from the responsibility of leading any into so perilous a vocation.  They are usually accompanied by their mothers, and I strive to treat them in a way to save their self-respect and delicacy—­a very hard task, which too often breaks down in less scrupulous hands.

2.  The opportunities of anatomical studies are here nearly perfect, and free from all expense.  The medical schools not only illustrate anatomy by surgery on the cadaver, but standing by the side of the dead body is a living one, in which the action of the muscles dissected before the student may be studied in life.  These colleges are open to all artists, and furnish the best possible schooling in anatomy, a thorough acquaintance with which is indispensable to the sculptor, and can only be obtained in America at great cost.

3.  Marble is no cheaper here than in New York, the long sea-carriage costing no