engagement offered, the security of a good company, and of able management, led to an immediate acceptance.  On this as on every other occasion, through her theatrical career, Mary Anderson was accompanied by her father and mother, who have ever watched over her welfare with the tenderest solicitude.  All the arrangements for the trip were en prince.  Indeed we have small idea in our little sea-girt isle, of the luxury and even splendor with which American stars travel over the vast distances between one city and another on the immense Western continent.  The City of Worcester, a new Pullman car, subsequently used by Sarah Bernhardt, and afterward by Edwin Booth, was chartered for the party, consisting of Mary Anderson, her father, mother, and brother, and the young actress’ maid and secretary.  A cook and three colored porters constituted the personnel of the establishment.  There was a completely equipped kitchen, a dining-room with commodious family table; a tiny drawing-room with its piano, portraits of favorite artists, and some choicely-filled bookshelves, as well as capital sleeping quarters.  It was literally a splendid home upon wheels.  Where the hotels happened to be inferior at any particular town, the party occupied it through the period of the engagement.  Visitors were received, friendly parties arranged, and little of the inconvenience and discomfort of travel experienced.  It was thus that Mary Anderson made her first great theatrical tour through the States.  In spite of now and then a cold, or even hostile press, her progress was very like a triumph.  In many places she created an absolute furore, hundreds being turned away at the theater doors.  Indeed, it was no uncommon occurrence for an ordinary seat whose advertised price was seventy-five cents to sell at as high a premium as twenty-five dollars.  The management reaped a rich harvest, and Mary Anderson played on this Southern trip to more money than any previous actor, excepting only Edwin Forrest.  There was still one drop of bitter in this cup of sweetness and success.  The company, jealous of the prominence given to one whom they regarded as a mere untried girl, proceeded to add what they could to her difficulties by “boycotting” her.  There were two exceptions among the gentlemen actors; and we are pleased to be able to record that one of these was an Englishman.  The ladies were unanimous in proclaiming a war to the knife!

Needless to say the impassioned youth of the New World now and then pursued the wandering star in her travels at immense expenditure of time and money, as well as of floral decorations.  This is young America’s way of showing his admiration for a favorite actress.  He is silent and unobtrusive.  He makes his presence known by the midnight serenade beneath her windows; by the bouquets which fall at her feet on every representation, and are sent to the room of her hotel at the same hour each day; by his constant attendance on the departure platform at the railway station.  We are not sure that this silent worship which so often persistently followed her path was displeasing to Mary Anderson.  It touched, if not her heart, yet that poetic vein which runs through her nature, and reminded her sometimes of the vain pursuit with which Evangeline followed her wandering lover.