The House in Good Taste eBook

Elsie de Wolfe
This eBook from the Gutenberg Project consists of approximately 199 pages of information about The House in Good Taste.

The House in Good Taste eBook

Elsie de Wolfe
This eBook from the Gutenberg Project consists of approximately 199 pages of information about The House in Good Taste.

The first trellis work in France was inspired by Italy, but the French gave it a perfection of architectural character not found in other countries.  The manuscript of the “Romance of the Rose,” dating back to the Fifteenth Century, contains the finest possible example of trellis in a medieval garden.  Most of the old French gardens that remain to us have important trellis construction.  At Blois one still sees the remains of a fine trellis covering the walls of the kitchen gardens.  Wonderful and elaborate trellis pavillons, each containing a statue, often formed the centers of very old gardens.  These garden houses were called gazebos in England, and Temples d’Amour (Temples of Love) in France, and the statue most often seen was the god of Love.  In the Trianon gardens at Versailles there is a charming Temple d’Amour standing on a tiny island, with four small canals leading to it.

A knowledge of the history of trelliage and an appreciation of its practical application to modern needs is a conjurer’s wand—­you can wave it and create all sorts of ephemeral constructions that will last your time and pleasure.  You may give your trellis any poetic shape your vision may take.  You may dream and realize enchanting gardens, with clipped hedges and trellis walls.  You may transform a commonplace porch into a gay garden room, with a few screens of trellis and many flower boxes of shrubs and vines.  Here indeed is a delightful medium for your fancy!

Trelliage and lattice work are often used as interchangeable terms, but mistakenly, for any carpenter who has the gift of precision can build a good lattice, but a trellis must have architectural character.  Trellis work is not necessarily flimsy construction; the light chestnut laths that were used by the old Frenchmen and still remain to us prove that.

Always in a garden I think one must feel one has not come to the end, one must go on and on in search of new beauties and the hidden delights we feel sure must be behind the clipped hedges or the trellis walls.  Even when we come to the end we are not quite sure it is the end, and we steep ourselves in seclusion and quiet, knowing full well that to-morrow or to-night perhaps when the moon is up and we come back as we promise ourselves to do, surely we shall see that ideal corner that is the last word of the perfection of our dream garden—­that delectable spot for which we forever seek!

We can bring back much of the charm of the old-time gardens by a judicious use of trellis.  It is suitable for every form of outdoor construction.  A new garden can be subdivided and made livable in a few months with trellis screens, where hedges, even of the quick growing privet, would take years to grow.  The entrance to the famous maze at Versailles, now, alas, utterly destroyed, was in trellis, and I have reproduced in our own garden at Villa Trianon, in Versailles, the entrance arch and doors, all in trellis.  Our high garden fence with its curving gate is also in trellis, and you can imagine the joy with which we watched the vines grow, climbing over the gatetop as gracefully as if they too felt the charm of the curving tracery of green strips, and cheerfully added the decoration of their leaves and tendrils.

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Project Gutenberg
The House in Good Taste from Project Gutenberg. Public domain.