deduces all his teaching from the Bible, not because
he holds that it was explicitly contained there, but
because he desires to give to his philosophical notions
Divine authority. Like the rabbis, again, he
suggests definite rules of interpretation which may
always be applied [Greek: kanones tes allegorias].[119]
He declares that every name in the Torah has a deep
symbolical meaning, and symbolizes some power.[120]
Thus the names of the sons of Jacob typify each some
moral quality, and these qualities together make the
perfect man and the perfect nation. Reuben is
“the son of insight” [Hebrew: ru’bn],
Simeon is learning [Hebrew: shm’-on], Judah
[Hebrew: yhuda] stands for the praise of God.[121]
It may be noted, by the way, that all these values
show traces of Hebrew etymology. Again, the synonyms
in the Bible are to be carefully studied, while even
particles and parts of words have their special value
and importance. And the skilful exegete may for
homiletical purposes make slight changes in a word,
following the rabbinical rule,[122] “Read not
so, but so.” Thus he plays upon the name
Esau, and takes the Hebrew word as though it were
written, not [Hebrew: ’eshaw] but [Hebrew:
’ashav], a thing made.[123] Whence he shows
that Esau represents the sham (made-up) greatness,
which is boastful and insolent and shameless.
Philo is referring perhaps to Apion, the vainglorious
anti-Semite, whom he often covertly attacks.
Again, whenever there is repetition in the text, a
deeper meaning is portended. Dealing with the
verse, “Sarah the wife of Abraham took Hagar
the Egyptian” (Gen. xvi. 3), Philo comments,
that we already knew that Sarah was Abraham’s
wife: why, then, does the Bible mention it again?
And following certain values which he has made, he
draws the lesson that the study of philosophy must
always go together with the study of general culture.[124]
These examples are not isolated; yet it is rather a
barren science to search for the canons of Philo’s
allegory, as Siegfried has done.
For his allegory is a very flexible instrument, which
can be employed at pleasure to deduce anything from
anything. And Philo regards these “points
of construction” as the excuse, not as the motive,
of his ethical and philosophical teaching. He
does not depend on such devices, for he wanders into
allegory more often than not without any pretext of
the kind.
The modern reader may consider the allegorical method
artificial and unconvincing, even if he does not go
so far as Spinoza, and say that it is “useless,
harmful, and absurd."[125] We prefer to-day to show
the inner agreement of philosophical with Biblical
teaching, rather than pretend that all philosophy
is contained within the Bible; and we accept the Bible
as it stands, as a book of supreme religious worth,
without requiring more of it. But that is mainly
a difference of taste or of method, and in Philo’s
day, and in fact down to the time of the sixteenth-century
Renaissance, Jew and Gentile alike preferred the other