Dickens.  Why, there too was a disclosure of literary methods.  Did not Forster make known to all and sundry exactly how Dickens’ work was done, and how the bargains for its production were made?  The multitudinous public saw him at his desk, learnt how long he sat there, were told that he could not get on without having certain little ornaments before his eyes, and that blue ink and a quill pen were indispensable to his writing; and did all this information ever chill the loyalty of a single reader?  There was a difference, in truth, between the picture of Charles Dickens sitting down to a chapter of his current novel, and that of the broad-based Trollope doing his so many words to the fifteen minutes.  Trollope, we know, wronged himself by the tone and manner of his reminiscences; but that tone and manner indicated an inferiority of mind, of nature.  Dickens—­though he died in the endeavour to increase (not for himself) an already ample fortune, disastrous influence of his time and class—­wrought with an artistic ingenuousness and fervour such as Trollope could not even conceive.  Methodical, of course, he was; no long work of prose fiction was ever brought into existence save by methodical labour; but we know that there was no measuring of so many words to the hour.  The picture of him at work which is seen in his own letters is one of the most bracing and inspiring in the history of literature.  It has had, and will always have, a great part in maintaining Dickens’ place in the love and reverence of those who understand.

XXIII.

As I walked to-day in the golden sunlight—­this warm, still day on the far verge of autumn—­there suddenly came to me a thought which checked my step, and for the moment half bewildered me.  I said to myself:  My life is over.  Surely I ought to have been aware of that simple fact; certainly it has made part of my meditation, has often coloured my mood; but the thing had never definitely shaped itself, ready in words for the tongue.  My life is over.  I uttered the sentence once or twice, that my ear might test its truth.  Truth undeniable, however strange; undeniable as the figure of my age last birthday.

My age?  At this time of life, many a man is bracing himself for new efforts, is calculating on a decade or two of pursuit and attainment.  I, too, may perhaps live for some years; but for me there is no more activity, no ambition.  I have had my chance—­and I see what I made of it.

The thought was for an instant all but dreadful.  What!  I, who only yesterday was a young man, planning, hoping, looking forward to life as to a practically endless career, I, who was so vigorous and scornful, have come to this day of definite retrospect?  How is it possible?  But, I have done nothing; I have had no time; I have only been preparing myself—­a mere apprentice to life.  My brain is at some prank; I am suffering a momentary delusion; I shall shake myself, and return to common sense—­to my schemes and activities and eager enjoyments.