“I didn’t know that writing was much in his line,” said Yeovil, “beyond the occasional editing of a company prospectus.”

“I understand his historical researches have given every satisfaction in exalted quarters,” said Joan; “something may be lacking in the style, perhaps, but the august approval can make good that defect with the style of Baron.  Pitherby has such a kind heart; ’kind hearts are more than coronets,’ we all know, but the two go quite well together.  And the dear man is not content with his services to literature, he’s blossoming forth as a liberal patron of the arts.  He’s taken quite a lot of tickets for dear Gorla’s debut; half the second row of the dress-circle.”

“Do you mean Gorla Mustelford?” asked Yeovil, catching at the name; “what on earth is she having a debut about?”

“What?” cried Joan, in loud-voiced amazement; “haven’t you heard?  Hasn’t Cicely told you?  How funny that you shouldn’t have heard.  Why, it’s going to be one of the events of the season.  Everybody’s talking about it.  She’s going to do suggestion dancing at the Caravansery Theatre.”

“Good Heavens, what is suggestion dancing?” asked Yeovil.

“Oh, something quite new,” explained Joan; “at any rate the name is quite new and Gorla is new as far as the public are concerned, and that is enough to establish the novelty of the thing.  Among other things she does a dance suggesting the life of a fern; I saw one of the rehearsals, and to me it would have equally well suggested the life of John Wesley.  However, that is probably the fault of my imagination—­I’ve either got too much or too little.  Anyhow it is an understood thing that she is to take London by storm.”

“When I last saw Gorla Mustelford,” observed Yeovil, “she was a rather serious flapper who thought the world was in urgent need of regeneration and was not certain whether she would regenerate it or take up miniature painting.  I forget which she attempted ultimately.”

“She is quite serious about her art,” put in Cicely; “she’s studied a good deal abroad and worked hard at mastering the technique of her profession.  She’s not a mere amateur with a hankering after the footlights.  I fancy she will do well.”

“But what do her people say about it?” asked Yeovil.

“Oh, they’re simply furious about it,” answered Joan; “the idea of a daughter of the house of Mustelford prancing and twisting about the stage for Prussian officers and Hamburg Jews to gaze at is a dreadful cup of humiliation for them.  It’s unfortunate, of course, that they should feel so acutely about it, but still one can understand their point of view.”

“I don’t see what other point of view they could possibly take,” said Yeovil sharply; “if Gorla thinks that the necessities of art, or her own inclinations, demand that she should dance in public, why can’t she do it in Paris or even Vienna?  Anywhere would be better, one would think, than in London under present conditions.”